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GA-02771 2016 rel C

Dialita, live di LBH Jakarta, Belok Kiri Festival, 2016

Dialita Live at LBH Jakarta, Belok Kiri Festival, 2016

Live audio (12:06), 2016, of the Dialita choir of women survivors of 1965 and relatives performing at LBH Jakarta during the Belok Kiri (Turn Left) Festival. Documents survivors' song as public memory work. Description only; no repertoire listed.

GA-02672 2017 rel C

Data dan Fakta Kebangkitan PKI (ceramah audio)

Data and Facts on the Revival of the PKI (Audio Lectures, 2017)

Audio item (description only, no transcript): 'Data dan Fakta Kebangkitan PKI', a 3:12:35 recording of lectures by Alfian Tanjung, Rizieq Shihab and Kivlan Zen, tagged Aksi Bela Islam III (2017), hosted on archive.org. It argues for an alleged revival of the PKI; relevant as contemporary anti-communist propaganda. No G

GA-02769 2017 rel C

Kivlan Zen menyemprot Bedjo Untung (YPKP 1965) di ILC, tvOne, 2017

Kivlan Zen Attacks Bedjo Untung (YPKP 1965) on Indonesia Lawyers Club, tvOne, 2017

12-minute clip of tvOne's Indonesia Lawyers Club (2017), episode 'PKI, Hantu atau Nyata?'. Split-screen debate between Bedjo Untung of YPKP 1965 and Kivlan Zen, who per the title attacks him. Shows contemporary anti-communist hostility toward 1965 survivors' advocacy. Description only.

GA-02668 2020 rel B

Hari Kesaktian Pancasila, 1 Oktober 1965 (foto diorama, 2020)

Hari Kesaktian Pancasila, 1 October 1965 (Diorama Photograph, 2020)

Photograph (24 Nov 2020) of a museum diorama of the recovery of the generals' bodies from the Lubang Buaya well, with frogman figure, coffins and red-bereted soldiers. Visual record of the official Lubang Buaya display.

GA-02753 2020 rel C

Bedjo Untung memainkan Genjer-Genjer (klip video tweet)

Bedjo Untung Plays Genjer-Genjer (Video Clip, 2020)

45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.