Gerwani Archive
Researcher log in
Sort: oldest first · newest first · export CSV
GA-02752 2009 rel C

Genjer Genjer, Hiphop Version

Genjer Genjer, Hip-Hop Version (2009)

Anonymous 2009 hip-hop version (4:33, MP3) of 'Genjer-genjer', the Banyuwangi folk song by Muhammad Arief that became associated with the PKI/Gerwani milieu and was banned under the New Order. Shows the song's afterlife in contemporary youth culture. Description only; no lyrics transcribed.

GA-02768 2016 rel C

One Hour of Indonesian Communist Music (kompilasi)

One Hour of Indonesian Communist Music (Compilation, 2016)

One-hour (55:48) audio compilation of songs associated with the Indonesian communist movement and the Sukarno era, compiled and uploaded by GETchan to the Internet Archive in 2016. Description only; no track list or transcript, so Gerwani content cannot be confirmed.

GA-02771 2016 rel C

Dialita, live di LBH Jakarta, Belok Kiri Festival, 2016

Dialita Live at LBH Jakarta, Belok Kiri Festival, 2016

Live audio (12:06), 2016, of the Dialita choir of women survivors of 1965 and relatives performing at LBH Jakarta during the Belok Kiri (Turn Left) Festival. Documents survivors' song as public memory work. Description only; no repertoire listed.

GA-02769 2017 rel C

Kivlan Zen menyemprot Bedjo Untung (YPKP 1965) di ILC, tvOne, 2017

Kivlan Zen Attacks Bedjo Untung (YPKP 1965) on Indonesia Lawyers Club, tvOne, 2017

12-minute clip of tvOne's Indonesia Lawyers Club (2017), episode 'PKI, Hantu atau Nyata?'. Split-screen debate between Bedjo Untung of YPKP 1965 and Kivlan Zen, who per the title attacks him. Shows contemporary anti-communist hostility toward 1965 survivors' advocacy. Description only.

GA-02753 2020 rel C

Bedjo Untung memainkan Genjer-Genjer (klip video tweet)

Bedjo Untung Plays Genjer-Genjer (Video Clip, 2020)

45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.