The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, 2013)
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Missing Victims of the 1965-66 Violence: Representing Impunity On-screen in The Act of Killing (Hearman, 2014)
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
1965 from women's wombs and inner lives: review of Istana Jiwa (Wahyuni, 2014)
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
Genjer-genjer, the song feared by history (Tempo, Ika Ningtyas, 2015)
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Saskia Wieringa, The Crocodile Hole reveals the 1965 genocide (Poerba, 2015)
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Dunia Milik Kita: liner and production notes (Dialita, 2016)
Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.
Gerwani in Saskia Wieringa's novel The Crocodile Hole (Marhamah, 2016)
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Photobook Pemenang Kehidupan and efforts to reveal the 1965-66 issue (Parengkuh, 2016)
Jurnal Perempuan event report (3 Aug 2016) on a Solo discussion of Adrian Mulya's photobook Pemenang Kehidupan, portraits of elderly 1965 survivors made over seven years. Context on photography and survivors.
Traces of violence in the novel Tarian Bumi by Oka Rusmini (Haryanti, 2017)
Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.
Shadow Imaginations: Transpacific Approaches to Post-1965 Indonesian Archives (Lasmana, 2018)
Viola Lasmana's 2018 USC dissertation reading literary, film and digital works as 'shadow imagination' counter-archives that talk back to the New Order master archive of 1965. Literary-cultural study; Gerwani peripheral.
Postmemory in the novel Tapol by Ngarto Februana (Assa, 2019)
Anna Assa's 2019 literary thesis applying Hirsch's postmemory to Ngarto Februana's novel Tapol (2002), arguing the author received 1965 memory affiliatively from three elderly ex-prisoners. Literary context; Gerwani not central.
Breaking the silence with music (Anett Keller, 2019)
Anett Keller's 2019 südostasien feature (German) on music breaking silence about 1965: Genjer-genjer and its composer Muhammad Arief, Lekra composer Subronto Atmodjo, New Order policy, and post-1998 projects. Context on music and memory.