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GA-02974 2013 rel A licensed

The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, introduction and ch. 2, 2013)

The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, 2013)

Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.

GA-02969 2017 rel C

Jejak Kekerasan pada Novel Tarian Bumi Karya Oka Rusmini (Haryanti, 2017)

Traces of violence in the novel Tarian Bumi by Oka Rusmini (Haryanti, 2017)

Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.

GA-02989 2021 rel B

Bentuk Perlawanan Perempuan melalui Penulisan dalam Album Dunia Milik Kita dan Salam Harapan (Saraswati dan Subono, 2021)

Women's resistance through writing in the albums Dunia Milik Kita and Salam Harapan (Saraswati and Subono, 2021)

2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.

GA-02988 2022 rel B

Suara Perempuan dalam Lagu Paduan Suara Dialita (Saraswati, 2022)

Women's voices in the songs of the Dialita choir (Saraswati, 2022)

2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.