Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
Andrew Weintraub's 2021 study of the Dialita choir from 2018-21 fieldwork with members including Njoto's daughter Irina Dayasih, arguing collective singing is critical remembrance and memory activism where legal routes are blocked. Substantial English-language study.
Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.
2022 UGM article reading Martin Aleida's short story 'Ode untuk Selembar KTP' through Ranciere: a woman jailed thirteen years, ending at Plantungan, sells land to bribe an official to remove the 'ET' code from her ID. Literary context on stigma.
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Michal Bielecki's 2025 analysis of 'Selamatan Anak Cucu Sumilah', a participatory performance (30 Nov 2018, UGM) with the Kipper forum of women ex-prisoners, commemorating Maria Goreti Sumilah, arrested at fourteen by mistake and held at Plantungan. Memorialisation through performance.
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women