Gerwani and women's political struggle (Rio Apinino, IndoPROGRESS, 2013)
Rio Apinino's 2013 IndoPROGRESS review essay of the Indonesian edition of Wieringa's Gerwani study: the film's Lubang Buaya scenes, Gerwis's founding in Semarang on 4 June 1950, PKI influence and the persistent 'whore' stigma. Chapter-by-chapter summary.
Gerwani and the murder of identity (Lustanto, 2015)
Rendi Lustanto's 2015 Jurnal Perempuan essay on the 50th anniversary of 1965: Gerwani women hunted over alleged Lubang Buaya involvement, with media stories of erotic dances and genital mutilation made credible by patriarchal culture. Short reflective piece.
Stigma of women victims of sexual violence and erasure of existence (Lustanto, 2015)
Rendi Lustanto's 27 Sep 2015 Jurnal Perempuan essay on the stigma of women pregnant outside marriage and victims of sexual violence; Gerwani enters only briefly. Opinion piece with little Gerwani content.
Gerwani and the pioneering of women's political struggle (Sundari, 2016)
Akhiriyati Sundari's 2016 Jurnal Perempuan review of the Indonesian translation of Wieringa's Sexual Politics in Indonesia (Penghancuran Gerakan Perempuan, 2010), recounting the Lubang Buaya slander as staged in the film and Gerwani's pioneering role. Book review.
Sexual violence against women after the 1965 events (Historia, 2017)
Historia report (17 Mar 2017) on a Komnas Perempuan/YLBHI/IPT 65 session on sexual violence after 1965, opening with Bedjo Untung's case of Zaenab, a 12-year-old in Pekalongan stripped and repeatedly raped by soldiers. Testimony on sexual violence.
Umi Sardjono, the Marxist feminist who steered Gerwani (Rahayu, 2017)
Ruth Indiah Rahayu's 2017 biographical portrait of Umi Sardjono (1923-2011), Gerwani chair, from Umi's own stories told 2004-09; opens with the film's Jamilah, whom Umi met in detention and apologised to. Intimate life history of a Gerwani leader.
Women suppressed, women resisting (Historia, 2018)
Historia feature (2018) on how the New Order subordinated the women's movement after 1965, branding politically minded women 'like Gerwani' and portraying Gerwani as beautiful but cruel, and how independent organising revived from the 1980s. Draws on Suryakusuma and Murniati.