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GA-00614 1950-10-10 De Locomotief rel B

Regentschapsraad geïnstalleerd (Regency council installed)

Regency council installed

De Locomotief, 10 Oct 1950: report on the installation of the Semarang regency council by Resident Milono, listing about 40 members from many parties and bodies. Mrs Sri Utari is named as the Gerwis representative; Mrs Sukandar and Suwarti represent GPII's women's wing. Records Gerwis's presence in local government in

GA-01713 1952-05-17 Renmin Ribao rel A licensed

亚洲及太平洋沿岸各国和平人士热烈拥护召开和平会议 (Asia-Pacific peace conference preparations; Indonesian sponsors incl. Gerwis chair)

Asia-Pacific peace conference preparations; Indonesian sponsors include Gerwis chair (Renmin Ribao, 17 May 1952)

Xinhua report in Renmin Ribao, 17 May 1952 (p. 1), on responses from twenty countries to Soong Ching-ling and Guo Moruo's call for an Asian and Pacific Regional Peace Conference in Beijing. For Indonesia it lists eleven sponsors named in April, including Suwati (Suwarti), MP and chairman of Gerwis, plus Setiadi, Siauw

GA-01714 1952-05-17 Renmin Ribao rel A licensed

亚洲及太平洋沿岸各国和平人士热烈拥护召开和平会议 (Asia-Pacific peace conference preparations; Indonesian sponsors incl. Gerwis chair)

Asia-Pacific peace conference preparations; Indonesian sponsors include Gerwis chair (Renmin Ribao, 17 May 1952)

Xinhua report in Renmin Ribao, 17 May 1952 (p. 1), on responses from twenty countries to Soong Ching-ling and Guo Moruo's call for an Asian and Pacific Regional Peace Conference in Beijing. For Indonesia it lists eleven sponsors named in April, including Suwati (Suwarti), MP and chairman of Gerwis, plus Setiadi, Siauw

GA-01444 1955-01-26 Harian Rakjat rel A

Maisuri simbol perlawanan terhadap kawin paksa (Harian Rakjat, 26 Januari 1955, hlm. 3)

Maisuri, symbol of resistance to forced marriage (Harian Rakjat, 26 January 1955)

Harian Rakjat, 26 Jan 1955, p. 3: women's-page feature 'Maisuri, symbol of resistance to forced marriage', signed Ny. Suwarti (DPP Gerwani). Maisuri refused a marriage imposed by her family to an older man (Kyai Ahmad) who already had wives; the piece uses the case to argue against forced marriage and for a marriage la