2012 article by Hamdan Tri Atmaja using Gadamerian hermeneutics and interviews with seven survivors (two women held at Plantungan) on how they interpret state actions after G30S: readings of the coup, groundless arrests and interrogation.
Elizabeth Rhoads's 2012 article on why Balinese women's political representation is low despite quotas, citing adat institutions, money politics and collective memory; context on post-1965 Bali. Gerwani peripheral.
2013 article by Taufik Ahmad on about 911 ex-political prisoners (BTI, Lekra, CGMI, Gerwani activists) held at Moncongloe, South Sulawesi: their 1975-77 release and post-release control through reporting, Pancasila courses, ET identity-card code and screening. Context on stigma.
Vannessa Hearman's 2013 article on memories 'under duress', from interviews with over thirty ex-prisoners: screening and stigma forced concealment, name changes and silence; Gerwani appears via 'Leila' and 'Tuti' and Sukarno-era WIDF internationalism. Oral history methodology.
Pohlman's 2013 article, from about 150 interviews, on women's stories of pregnancy, childbirth, raising, losing and aborting children during 1965-66 and detention, including cooperative childcare and a former Gerwani leader (Ibu Astuti). Gendered history of survival.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Wieringa (Indonesian Feminist Journal, Aug 2015): the 'confession' of 'Jamilah, Srikandi of Lubang Buaya' printed identically in four army papers on 5-7 Nov 1965, and the real Jemilah (arrested by mistake for Gerwani leader Atikah, tortured, lost her baby), from Juki Ardi's Aku bukan Jamilah.
Anett Keller's German briefing (March 2016, Stiftung Asienhaus) on the neglected gender dimension of 1965: Lubang Buaya slander, the film and monument, tattoo hunts, sexual torture, forced marriages of widows, Plantungan and 'State Ibuism'. Written after the IPT 1965.
Pohlman (2016) argues the demonisation of Gerwani created an enduring 'pathological discourse' constraining women's sexual and political citizenship; perpetrators invoked the slander to justify violence, as in the cases of Ibu Susiani and others.
Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.
Pohlman (2017), lead investigator on sexual crimes for the IPT 1965, argues rape and sexualised torture in 1965-70 detention were crimes against humanity, summarising fifty-eight case files (72% female victims, 85% naming soldiers or military police). Legal framing of sexual torture.
Two-page south-east Asia magazine piece (südostasien 1/2017, German) translating Wieringa's statement as IPT 1965 chair on the July 2016 verdict: crimes against humanity, 400,000-600,000 killed, sexual violence, hate propaganda, complicity of the US, UK and Australia. Gerwani not named.
Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.
Hearman's 2018 article on how 1965 survivors and NGOs shifted from an inclusive citizenship strategy (1998-2004) to a 'boomerang' appeal to international norms, with stalled domestic justice. Context on the post-1998 struggle for justice.
Nelly van Doorn-Harder's 2019 article on how Komnas Perempuan took up 1965 women survivors (2006 delegation, 2007 report), arguing the violence and stigma were justified as 'purification' and Gerwani women were cast as 'the most impure of all'. Gender and religious logic of impurity.
Anett Keller's 2019 südostasien feature (German) on music breaking silence about 1965: Genjer-genjer and its composer Muhammad Arief, Lekra composer Subronto Atmodjo, New Order policy, and post-1998 projects. Context on music and memory.