Tempo.co book notice (9 May 2010) on Saskia Wieringa's Indonesian edition of 'Penghancuran Gerakan Perempuan' (Galangpress 2010, transl. Harsutejo). Recounts the military propaganda of naked dancing, razor-cutting and castration at Lubang Buaya, Wieringa's rebuttal from 1982-85 interviews and autopsy results, and Siti
Tempo.co book notice (17 May 2010) (second Tempo.co version, with a lead on the penis-cutting allegation) on Saskia Wieringa's Indonesian edition of 'Penghancuran Gerakan Perempuan' (Galangpress 2010, transl. Harsutejo). Recounts the military propaganda of naked dancing, razor-cutting and castration at Lubang Buaya, Wi
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo explainer (1 Oct 2012) on Kopkamtib, set up by Suharto on 2 Oct 1965 as the 'super organisation' that planned and drove the mass killings and detentions (Komnas HAM names it chief perpetrator). It notes army-controlled media showing Lubang Buaya photos with stories that Gerwani women tortured the generals, and ci
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Annie Pohlman's 2015 monograph, the first book-length study of gendered violence in 1965-66, based on about 150 women survivors: patterns of arrest, torture, rape, sexualised mutilation, strip searches for the 'Gerwani mark', sexual slavery and 'wife-taking'. Key scholarly source.
Wieringa (Indonesian Feminist Journal, Aug 2015): the 'confession' of 'Jamilah, Srikandi of Lubang Buaya' printed identically in four army papers on 5-7 Nov 1965, and the real Jemilah (arrested by mistake for Gerwani leader Atikah, tortured, lost her baby), from Juki Ardi's Aku bukan Jamilah.
Book by AJAR with Komnas Perempuan (Oct 2015) from participatory research with women survivors. In the 1965 context chapter (pp. 39-40) it describes false rumours about Gerwani and the sexual slander of the generals, with violence against Gerwani members. Survivor testimonies name Christina Sumarmiyati (arrested again
Book by AJAR with Komnas Perempuan (Oct 2015) from participatory research with women survivors. In the 1965 context chapter (pp. 39-40) it describes false rumours about Gerwani and the sexual slander of the generals, with violence against Gerwani members. Survivor testimonies name Christina Sumarmiyati (arrested again
Free English-language magazine issue edited by Soe Tjen Marching (Bhinneka Nusantara, Surabaya), October 2015, of victim testimonies. Ex-women prisoners Hartiti, Maria Goretti Sumilah and Theresia Kadmiyanti describe Gerwani-related interrogation: nude-dance and genital-mutilation accusations, searches for a 'Gerwani m
Free English-language magazine issue edited by Soe Tjen Marching (Bhinneka Nusantara, Surabaya), October 2015, of victim testimonies. Ex-women prisoners Hartiti, Maria Goretti Sumilah and Theresia Kadmiyanti describe Gerwani-related interrogation: nude-dance and genital-mutilation accusations, searches for a 'Gerwani m
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Ruth Indiah Rahayu's 2017 biographical portrait of Umi Sardjono (1923-2011), Gerwani chair, from Umi's own stories told 2004-09; opens with the film's Jamilah, whom Umi met in detention and apologised to. Intimate life history of a Gerwani leader.