Wieringa's 2011 article condensing her research: the army's sexual slander of Gerwani was the spark without which the genocide would not have happened; reconstructs the Lubang Buaya night (about 70 women and girls, mostly Pemuda Rakyat volunteers) and reads the monument mural. Programmatic synthesis.
State actions regarding G30S: Gadamerian study of survivors (Atmaja, 2012)
2012 article by Hamdan Tri Atmaja using Gadamerian hermeneutics and interviews with seven survivors (two women held at Plantungan) on how they interpret state actions after G30S: readings of the coup, groundless arrests and interrogation.
Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
The Cold War in the City of Heroes: US-Indonesian Relations and Anti-Communist Operations in Surabaya (Setiyawan, 2014)
PhD dissertation in History (UCLA, 2014) by Dahlia Gratia Setiyawan on U.S. anti-communist operations and the 1965-66 purge in Surabaya. Gerwani appears in context: as the PKI's women's affiliate (ch. 1), through the Surabaya women's coalition GOWS in the 27 September 1965 Grahadi demonstration (ch. 4), and in the Army
Ripples, Echoes, and Reverberations: 1965 and Now in Indonesia (Stroud, 2015)
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation