Seven-page summary (LIPI journal, 2010) of Djakababa's dissertation arguing 1 Oct 1965 was chaotic and the New Order turned it into a good-versus-evil narrative via trials, the monument, commemoration and the film. Short companion to the full thesis.
Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Tempo column (1 Oct 2012) arguing that reconciliation must start from perpetrators' confession. Discusses victim-count disputes (78,000 to 3 million), The Act of Killing and Anwar Congo, Gus Dur's apology versus NU refusals, the Palu mayor's apology, and calls for lifting the ban on Marxism. Gerwani is not mentioned.
Tempo package (1 Oct 2012) on The Act of Killing: Ariel Heryanto's review calling it the most important film on Indonesia, and a profile of Anwar Congo (Medan, Pemuda Pancasila) with his wife Salmah and Joshua Oppenheimer's comments. It stresses perpetrators' impunity and ties to officials. Gerwani is not mentioned.
Rio Apinino's 2013 IndoPROGRESS review essay of the Indonesian edition of Wieringa's Gerwani study: the film's Lubang Buaya scenes, Gerwis's founding in Semarang on 4 June 1950, PKI influence and the persistent 'whore' stigma. Chapter-by-chapter summary.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Anett Keller's German briefing (March 2016, Stiftung Asienhaus) on the neglected gender dimension of 1965: Lubang Buaya slander, the film and monument, tattoo hunts, sexual torture, forced marriages of widows, Plantungan and 'State Ibuism'. Written after the IPT 1965.
Viola Lasmana's 2018 USC dissertation reading literary, film and digital works as 'shadow imagination' counter-archives that talk back to the New Order master archive of 1965. Literary-cultural study; Gerwani peripheral.