Pohlman's 2013 article, from about 150 interviews, on women's stories of pregnancy, childbirth, raising, losing and aborting children during 1965-66 and detention, including cooperative childcare and a former Gerwani leader (Ibu Astuti). Gendered history of survival.
Global Voices feature (30 Oct 2015; Indonesian repost 2016) on AJAR's project interviewing 26 women survivors, with photos and testimony of Vena Taka, Kadmiyati, Frangkina Boboy and Migelina Markus. Women survivors' testimony and demands for justice.
English translation (Monash, 2015) of Memori-memori terlarang, research by women pastors and theologians of the JPIT network on women survivors, witnesses and perpetrators across East Nusa Tenggara (Sabu, Kupang, Timor, Alor, Sumba). Regional women's testimony on 1965.
AJAR and partner submission to UN Special Rapporteur Juan Mendez (Oct 2016) arguing 1965 detainees' right to rehabilitation for torture remains denied, citing Law 26/2000 and stalled Komnas HAM findings; partners include women survivors' groups.
KBR report (23 Dec 2016) on former women prisoners and a Komnas Perempuan team visiting the Plantungan camp site: testimonies of Sumilah (forced to admit Gerwani membership, stripped) and Debora Oni, and the Lubang Buaya slander. Memorialisation of Plantungan.
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Pohlman (2017) chapter on how women whose husbands were killed or detained in 1965-66 secured daily survival for decades under ET stamps and boycotts, with case studies including Ibu Arum, a plantation labourer. Women's post-violence survival.
Hearman's 2018 article on how 1965 survivors and NGOs shifted from an inclusive citizenship strategy (1998-2004) to a 'boomerang' appeal to international norms, with stalled domestic justice. Context on the post-1998 struggle for justice.
Nelly van Doorn-Harder's 2019 article on how Komnas Perempuan took up 1965 women survivors (2006 delegation, 2007 report), arguing the violence and stigma were justified as 'purification' and Gerwani women were cast as 'the most impure of all'. Gender and religious logic of impurity.