Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Tempo package (1 Oct 2012) on The Act of Killing: Ariel Heryanto's review calling it the most important film on Indonesia, and a profile of Anwar Congo (Medan, Pemuda Pancasila) with his wife Salmah and Joshua Oppenheimer's comments. It stresses perpetrators' impunity and ties to officials. Gerwani is not mentioned.
Tempo piece (1 Oct 2012) on how Joshua Oppenheimer met perpetrators, from Matapao plantation workers to Anwar Congo and the Pasukan Kodok / Pemuda Pancasila in Medan. It cites Amir Hasan's pamphlet 'Embun Berdarah' on Teluk Mengkudu, which lists 702 PKI-linked villagers by affiliation, including Gerwani, and records an
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Tempo review (8 Feb 2016) of Elisabeth Ida Mulyani's video 'Supervivere' on 1965 exiles (Mintardjo and nine others in the Netherlands and Sweden), shown in Yogyakarta with a charcoal portrait 'Suti, Plight of Gerwani' by Dewi Candraningrum. It describes Suti, 95, founder of Gerwis Musuk/Boyolali in 1952, a literacy cam