Yulia Gradskova's 2025 open-access monograph on 'East South' women's networks from the late 1950s to the 1980s through Tashkent and Havana, using GARF, WIDF and Radio Free Europe files. Background on socialist-bloc women's internationalism.
Tempo magazine report (16 Nov 2025, Shinta Maharani and Iwan Kurniawan) on the Biennale Jogja solo exhibition of Lekra artist Mia Bustam at Benteng Vredeburg (opened 6 Oct 2025), based on Astrid Reza's thesis. It covers her arrest, nearly 14 years' detention (Plantungan gardener), embroidery, paintings, Api Kartini mag
English Wikipedia article (retrieved 13 Oct 2026) on the folk song Genjer-genjer by Muhammad Arief: 1942 Banyuwangi famine origin, 1963 peak on TVRI/RRI, and its place in the Lubang Buaya myth that Pemuda Rakyat and Gerwani sang it while mutilating the generals; banned until 1998. Encyclopedic summary.
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)
Sarah Sharma's 2026 Duke monograph reads Big Tech through feminist media theory, arguing that tech culture casts women and feminised labour as 'tools' of a patriarchal machine world (starting from McLuhan's 'sex organs of the machine world'); chapters on the 'woman in tech', domestic and basement tech, platform wealth