Hearman's 2020 article reconstructing the 1982-92 letters between ex-Gerwani militant Pudji Aswati, imprisoned for subversion, and English Quaker author Patricia Cleveland-Peck, showing how befriending became a transnational activist network. Rare transnational Gerwani prisoner correspondence.
Grace Leksana's review (Archipel 99, 2020) of the animated documentary A Daughter's Memory (2019, dir. Kartika Pratiwi), based on Svetlana Dayani Njoto's memories of detention with her mother and siblings after her father Njoto's arrest. Film review.
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
Pohlman's chapter on the interrogation and torture centres ('devil's houses') in the army's 1965-70 detention system, opening with Sudjinah's account of capture with Sulami in Feb 1967 and torture at Gunung Sahari. Evidence from a handful of survivor testimonies.
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Tempo report (2 Oct 2022, Dini Pramita and Dody Hidayat) on forced labour and memory of 1965 political prisoners. Yosephina Endang Lestari recalls Plantungan women's camp (sewing unit, Santiaji Pancasila, poor health); Ita F. Nadia describes its five aims including re-domestication of women. Hersri Setiawan (Buru) and
Tempo report (20 Nov 2022, Dian Yuliastuti and Seno Joko Suyono) on the Dialita choir winning the 2022 Akademi Jakarta award. Formed 2011 by daughters and women ex-prisoners (including Utati and Mudjiati, Bukit Duri and Plantungan), it sings songs composed in detention, such as 'Salam Harapan' and 'Taman Bunga Plantung