Buru Island: Still Much More to Reveal (Hearman, 2020)
Hearman's review essay (Archipel 99, 2020) of the documentary Pulau Buru: Tanah Air Beta (2016), in which Hersri Setiawan and Tejabayu Soedjojono return to Buru, with Ita Nadia and Ken Setiawan. Context on Buru and its memory.
From Indonesia with Love: Political Prisoners and their Pen Pals (Hearman, 2020)
Hearman's 2020 article reconstructing the 1982-92 letters between ex-Gerwani militant Pudji Aswati, imprisoned for subversion, and English Quaker author Patricia Cleveland-Peck, showing how befriending became a transnational activist network. Rare transnational Gerwani prisoner correspondence.
A Daughter's Memory: 1965 in Animation (Grace Leksana, 2020)
Grace Leksana's review (Archipel 99, 2020) of the animated documentary A Daughter's Memory (2019, dir. Kartika Pratiwi), based on Svetlana Dayani Njoto's memories of detention with her mother and siblings after her father Njoto's arrest. Film review.
Sulami's narrative versus the New Order narrative (Rahayu, 2020)
Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.
Women's resistance through writing in the albums Dunia Milik Kita and Salam Harapan (Saraswati and Subono, 2021)
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
Tempo, 2 October 2021: Song of the alarm (Umi Sardjono in Bukit Duri prison)
Tempo feature (2 Oct 2021, Riky Ferdianto and Mustafa Silalahi) on Umi Sardjono in Bukit Duri prison (detained 20 Oct 1965, solitary cell as category A, 'Senayan cluster' with Dahliar, Mudigdio, Salawati Daud, Kartinah Kurdi). Witnesses Mudjiati, Utati, Nani Nurani Affandi describe forced confessions of Lubang Buaya da
Pohlman's chapter on the interrogation and torture centres ('devil's houses') in the army's 1965-70 detention system, opening with Sudjinah's account of capture with Sulami in Feb 1967 and torture at Gunung Sahari. Evidence from a handful of survivor testimonies.
Women's voices in the songs of the Dialita choir (Saraswati, 2022)
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Tempo, 2 October 2022: Memory of sewing machines and smuggled paper (political prisoners at Plantungan and Buru)
Tempo report (2 Oct 2022, Dini Pramita and Dody Hidayat) on forced labour and memory of 1965 political prisoners. Yosephina Endang Lestari recalls Plantungan women's camp (sewing unit, Santiaji Pancasila, poor health); Ita F. Nadia describes its five aims including re-domestication of women. Hersri Setiawan (Buru) and
Tempo, 20 November 2022: Dialita's bold voice (Akademi Jakarta award)
Tempo report (20 Nov 2022, Dian Yuliastuti and Seno Joko Suyono) on the Dialita choir winning the 2022 Akademi Jakarta award. Formed 2011 by daughters and women ex-prisoners (including Utati and Mudjiati, Bukit Duri and Plantungan), it sings songs composed in detention, such as 'Salam Harapan' and 'Taman Bunga Plantung
Tempo, 16 November 2025: Rare archive of Lekra artist Mia Bustam (Biennale Jogja solo exhibition)
Tempo magazine report (16 Nov 2025, Shinta Maharani and Iwan Kurniawan) on the Biennale Jogja solo exhibition of Lekra artist Mia Bustam at Benteng Vredeburg (opened 6 Oct 2025), based on Astrid Reza's thesis. It covers her arrest, nearly 14 years' detention (Plantungan gardener), embroidery, paintings, Api Kartini mag
Katarzyna Głąb's open-access article (June 2026) on Plantungan, the women political prisoners' camp in a former Dutch leprosarium, using 2018 interviews with survivors aged 81-89 and Mia Bustam's memoir; argues it worked through forced labour, sexual violence and memory erasure. Recent scholarship on Plantungan.