Hari Kesaktian Pancasila, 1 October 1965 (Diorama Photograph, 2020)
Photograph (24 Nov 2020) of a museum diorama of the recovery of the generals' bodies from the Lubang Buaya well, with frogman figure, coffins and red-bereted soldiers. Visual record of the official Lubang Buaya display.
Filmed Memories of 1965 (Elsa Clavé, 2020)
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.
Grace Leksana's 2023 open-access monograph on Donomulyo, South Malang, a 'red area' with a 'hamlet of widows', using army archives and 38 life histories to argue memory of 1965 is 'embedded' in local patronage and class. Local study of remembering.
Tempo, 16 November 2025: Rare archive of Lekra artist Mia Bustam (Biennale Jogja solo exhibition)
Tempo magazine report (16 Nov 2025, Shinta Maharani and Iwan Kurniawan) on the Biennale Jogja solo exhibition of Lekra artist Mia Bustam at Benteng Vredeburg (opened 6 Oct 2025), based on Astrid Reza's thesis. It covers her arrest, nearly 14 years' detention (Plantungan gardener), embroidery, paintings, Api Kartini mag
Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)