Gerwani, Stigmatisation and the New Order (Ratna Mustika Sari, 2007)
Ratna Mustika Sari's 2007 book from her 2005 UGM thesis on the stigmatisation of Gerwani as a New Order power strategy, inspired by Wieringa and her Syarikat research on women victims in Kulonprogo and Sleman. Early Indonesian-language academic study of the stigma.
The Banteng and the Eagle: Indonesian Foreign Policy and the United States during the Era of Sukarno, 1945-1967 (PhD, 20
PhD dissertation by Yohanes Sulaiman (Ohio State, 2008) on Indonesian foreign policy and the United States under Sukarno. Gerwani appears only in a footnote on the 1965 aftermath quoting John Hughes (1967, p. 150): Gerwani women in a village blocking Sarwo Edhie's column 'bared their posteriors' in insult and were shot
The Banteng and the Eagle: Indonesian Foreign Policy and the United States during the Era of Sukarno, 1945-1967 (PhD, 20
PhD dissertation by Yohanes Sulaiman (Ohio State, 2008) on Indonesian foreign policy and the United States under Sukarno. Gerwani appears only in a footnote on the 1965 aftermath quoting John Hughes (1967, p. 150): Gerwani women in a village blocking Sarwo Edhie's column 'bared their posteriors' in insult and were shot
Twelfth Kowani Congress and its influence on the women's movement (Wijayanti, 2017)
Undergraduate article (2017) on the twelfth Kowani congress, Jakarta, 6-9 Feb 1961, arguing it tied the women's movement to government policy under Guided Democracy and sidelined polygamy and literacy issues; notes a Perwari-Gerwani split. Mostly general survey.
The role of Gerwani in the liberation of West Irian 1950-1963 (Kurnia, 2019)
2019 history thesis (UNY) by Dimas Dwi Kurnia on Gerwani's role in the West Irian campaign 1950-63: 1951 and 1957 congress resolutions, the 1957 charter with the army-youth body BKSPM, 1960 statement for 710,000 members and the 1962 volunteer call. Key source on Gerwani and West Irian.
Women's voices in the songs of the Dialita choir (Saraswati, 2022)
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.