Umi Sardjono, the Marxist feminist who steered Gerwani (Rahayu, 2017)
Ruth Indiah Rahayu's 2017 biographical portrait of Umi Sardjono (1923-2011), Gerwani chair, from Umi's own stories told 2004-09; opens with the film's Jamilah, whom Umi met in detention and apologised to. Intimate life history of a Gerwani leader.
Sulami's narrative versus the New Order narrative (Rahayu, 2020)
Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.
Tempo, 2 October 2021: The burden of trauma of 1965 (why Umi Sardjono was not open about Gerwani's history)
Tempo feature (2 Oct 2021, Dini Pramita and Bagja Hidayat) on why Gerwani chair Umi Sardjono (Suharti Sumodiwiryo) said little after 13 years in Bukit Duri (to 1978). Drawn from Ita Nadia, Ruth Indiah Rahayu, others: she wept at accounts of rape and Sudjinah's injury, 'it is my responsibility'; friendships with Fransis
Tempo, 2 October 2021: From priyayi daughter to underground activist (how Umi Sardjono became an activist)
Tempo biographical feature (2 Oct 2021, Isma Savitri and Nurdin Kalim) on Umi Sardjono's early life: born Suharti Sumodiwirjo in Salatiga, 24 Dec 1923, inspired by Kartini, joined Parindra then Gerindo, worked as an underground courier in East Java, tortured by the Japanese in 1943 alongside S.K. Trimurti, married Suki
Tempo, 2 October 2021: A dogmatic woman in two councils (Umi Sardjono in parliament)
Tempo feature (2 Oct 2021, Hussein Abri and Stefanus Pramono) on Umi Sardjono's legislative career: Konstituante (1955) and DPR-GR (1959-65). She pushed immigration reform (no spousal permission), a marriage law banning polygamy with minimum age 21 (opposed by Aisyiyah, Muslimat NU), the 1960 agrarian law for women far
Tempo, 2 October 2021: Umi Sardjono and the stigma on Gerwani (why we rewrote the history of Gerwani and Umi Sardjono)
Tempo editor's note (2 Oct 2021, Moyang Kasih Dewi Merdeka and Seno Joko Suyono) on why the magazine rewrote Umi Sardjono's life. It describes her silence after release, trauma and fear of surveillance (Wieringa 1981, Pohlman 2005), her arrest at Senayan and Bukit Duri detention, the lack of memoir or traces, and sourc