Berita Yudha, 3 April 1966 (edisi Minggu). Solo feature on superstition after the March 1966 flood; one line links Solo's misfortunes to Gerwani after the kraton carriage was moved in September 1965.
Harian Neraca, 21 Maret 1989, p. 10: instalment 67 of Soegiarso Soerojo's serial. Aidit's capture in Solo on 22 Nov 1965 and extracts of his alleged confession (Asahi Evening News) that Pemuda Rakyat and Gerwani units were assembled from July 1965.
Ten-page digest (in Komnas Perempuan's 2010 compilation) of Wieringa's Kuntilanak Wangi, tracing Indonesian women's movements from Kartini and Poetri Mardika to Gerwani, its rivalry with Perwari, the 1965 slander and New Order corporatism (Dharma Wanita, PKK). Concise overview.
Tempo editorial note (18 Apr 2016), recalling a 1978 Kartini Day feature on the women's movement from Aceh 1614 to the 1970s. It describes Kowani's formation (1946), Perwari's protest over Sukarno's 1954 marriage to Hartini, Perwari being squeezed as Gerwani, 'affiliated with the PKI', gained influence, and Gerwani ste
Tempo.co fact-check (15 June 2020) debunking a Facebook meme that PDI-P MP Ribka Tjiptaning said Jokowi's mother chaired Gerwani PKI. Ribka never said it (she wrote 'Aku Bangga Jadi Anak PKI', 2002) and Jokowi's mother Sudjiatmi was no Gerwani leader; a biography by Wawan Mas'udi and Ramdhon is cited. Shows Gerwani inv
Tempo essay (2 Oct 2021) by I Gusti Agung Ayu Ratih on why Gerwani did not criticise Sukarno's polygamy. It recounts Kowani expelling Gerwani on 29 Oct 1965 and removing Hurustiati Subandrio in 1966, the erasure of Gerwani from women's movement history, Perwari rivalry, Gerwani members' reverence for Sukarno, and anti-
2022 UGM article reading Martin Aleida's short story 'Ode untuk Selembar KTP' through Ranciere: a woman jailed thirteen years, ending at Plantungan, sells land to bribe an official to remove the 'ET' code from her ID. Literary context on stigma.
Tempo.co interview (21 Sep 2026, Yosea Arga) with Balinese writer Oka Rusmini about her poetry book 'Kembang' (28 Aug 2026), inspired by the film 'You and I' on survivors Kusdalini and Karminah. She discusses women's layered trauma, state stigma and sexual violence; one poem evokes the slander of young women prisoners