Konstituante.Net member profile (transcribed) of Nj. Setiati Surasto, PKI member no. 340 of the Constituent Assembly. Born 23 February 1920 in Banyuwangi, MULO educated. Civil servant in the Education Ministry 1941-50, KNIP member 1945-49, secretary of SOBSI Jakarta 1945-49, DPKS member and secretary of Sarpubri's regi
Berita Yudha, 28 Oktober 1965. Youth Pledge Day issue: Central Java under a state of war, 104 dead in Banyuwangi with 62 bodies in three pits; Gerwani item on p. 2.
Angkatan Bersendjata, 16 Oktober 1967. Antara report: 25 ex-PKI arrested in Banyuwangi for underground activity and spreading a Sukarno cult, including 'P.S, a former Gerwani member' and a Chinese courier.
Bali Post, 30 Sept 1992, p. 6: G30S-anniversary opinion page; a feature lists Gerwani among communist masses backing Madiun 1948 and retells the Cemetuk clash of 18 Oct 1965 as PKI poisoning.
Bali Post, 24 Dec 1993, p. 5: a serial instalment rejecting the claim that the 1926 Bedewang peasant revolt was a PKI product with its mass organisations including Gerwani.
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo report (1 Oct 2012) on Banyuwangi: the 'Gagak Hitam' force of NU/PNI members hunted communists after 62 Ansor were killed at Cemethuk (commemorated at the Pancasila Jaya monument, called Lubang Buaya Cemethuk). Testimony of Baidawi and ex-Lekra secretary Andang Chatif Yusuf; bodies thrown into Jurang Tangis. Gerw
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Historia.id article (preview only, 2022) on the song Genjer-genjer and its composer Mohammad Arief, countering the film's claim that Gerwani and Pemuda Rakyat sang it by saying it reflects Japanese-occupation suffering and that Arief was a santri's son. Partial text.