Stencilled lecture text, 'Sedjarah Modern Indonesia' (1964), by Pramoedya Ananta Toer for a literature faculty course (cover bears 'Res Publica'); OCR is very noisy. Introduction (pp. 2-5) defines 'history', 'modern' and 'Indonesia' from a Marxist-nationalist view; later chapters treat Dutch colonial exploitation, assi
Tempo historiography essay (1 Oct 2012) on the 1965-66 mass killings, outlining three phases of writing about 1965 and proposing 'jingoism' and 'vendetta' (macho, anomie-driven local score-settling) as cultural explanations, with the label 'PKI lu' as a channel for hatred. Argues history is interpretation and need not
Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.
Anna Assa's 2019 literary thesis applying Hirsch's postmemory to Ngarto Februana's novel Tapol (2002), arguing the author received 1965 memory affiliatively from three elderly ex-prisoners. Literary context; Gerwani not central.
2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.
2021 article applying postmemory and '1.5 generation' concepts to the 1965 novels Pulang (Leila Chudori) and Amba (Laksmi Pamuntjak), distinguishing exiles, 1.5-generation and second-generation characters. Literary context.
2025 single-case phenomenological study of an 86-year-old male former political prisoner (interviews via KontraS, 2024): union worker, arrest in 1966, torture, forced labour at Tangerang, Nusakambangan and Buru, later Aksi Kamisan activism. Male testimony; context only.