2004 Elsam/ISSI/TRuK volume distilling an oral history project of 260 victims, with essays including on women political prisoners (Josepha Sukartiningsih), rape in Central Java, survival strategies and Blitar Selatan. Introduction defends oral history against the Lubang Buaya myth.
Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.
Historia article (4 Oct 2017, preview only) on seven women political prisoners at Plantungan, the women's 'Pulau Buru' at the foot of Mount Prau, with historian Amurwani Lestariningsih on the inmates (Gerwani, CGMI, PKI sympathisers, some arrested by mistake). Partial text.
Historia vignette (2019) on Eid al-Adha at Plantungan camp, drawing on Lestariningsih's book and Mia Bustam's memoir: prisoners allowed to pray with villagers, the camp's livestock unit, and Bustam giving away her meat. Camp daily life.
Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.