Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Historia.id article (preview only) titled 'Gerwani dan Hak Anak'; the free preview covers only the New Order's National Children's Day (1984) and Decade of the Child (1986), not Gerwani. Little usable content.
Saskia Wieringa essay (22 Aug 2015, IPT 1965 site) on the army's sexual slander of Gerwani, reconstructing how 'Jamilah, Srikandi of Lubang Buaya' appeared in near-identical newspaper confessions in Nov 1965 and how a teenage Jemilah was arrested in place of the Gerwani leader Atikah. Key analysis of slander as fabrica
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Rendi Lustanto's 27 Sep 2015 Jurnal Perempuan essay on the stigma of women pregnant outside marriage and victims of sexual violence; Gerwani enters only briefly. Opinion piece with little Gerwani content.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Book by AJAR with Komnas Perempuan (Oct 2015) from participatory research with women survivors. In the 1965 context chapter (pp. 39-40) it describes false rumours about Gerwani and the sexual slander of the generals, with violence against Gerwani members. Survivor testimonies name Christina Sumarmiyati (arrested again
Book by AJAR with Komnas Perempuan (Oct 2015) from participatory research with women survivors. In the 1965 context chapter (pp. 39-40) it describes false rumours about Gerwani and the sexual slander of the generals, with violence against Gerwani members. Survivor testimonies name Christina Sumarmiyati (arrested again
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Pohlman (2016) argues the demonisation of Gerwani created an enduring 'pathological discourse' constraining women's sexual and political citizenship; perpetrators invoked the slander to justify violence, as in the cases of Ibu Susiani and others.
Katharine McGregor's Aug 2016 gateway essay to the Indonesia section of the Women and Social Movements in Modern Empires database: anti-imperial activism, Gerwani and the WIDF, source guide (Api Kartini, congress reports) and thematic analyses. Introduction for researchers.
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Akhiriyati Sundari's second 2016 Jurnal Perempuan essay placing Gerwani in a typology of feminist theory as the most progressive socialist-feminist movement, strongest between its first and second congresses; marks 1965 and the IPT. Interpretive essay.
Tempo editorial note (18 Apr 2016), recalling a 1978 Kartini Day feature on the women's movement from Aceh 1614 to the 1970s. It describes Kowani's formation (1946), Perwari's protest over Sukarno's 1954 marriage to Hartini, Perwari being squeezed as Gerwani, 'affiliated with the PKI', gained influence, and Gerwani ste
Ruth Indiah Rahayu's 2017 essay contrasting pre-G30S state instructions on women's organisations: the Army's domestication ('koncowingking', Panca Dharma Wanita) versus radicalisation tied to revolution, locating Gerwani's politics against the militarist model. Interpretive essay.
Ruth Indiah Rahayu's 2017 biographical portrait of Umi Sardjono (1923-2011), Gerwani chair, from Umi's own stories told 2004-09; opens with the film's Jamilah, whom Umi met in detention and apologised to. Intimate life history of a Gerwani leader.
FES-published study (2018) by Gadis Arivia and Nur Iman Subono arguing Indonesian feminism has local roots; one page on Gerwani, then New Order state women's organisations and Reformasi (Suara Ibu Peduli, Komnas Perempuan). Overview of feminist history.
Muslim Pohan's 2018 short article on the sexual politics and slander against women's organisations in the shift to the New Order, relying on Wieringa; includes the army's takeover of the army-wives' organisation Persit and Kowani dropping 8 March. Secondary synthesis.