Jurnal Perempuan feature (Jan 2016) on a Jejer Wadon visit to Suti (Arjo Sutiyem), 96, in Musuk, Boyolali: her reasons for joining the women's movement, early life, chairing Gerwis Boyolali with 4,000 members from 1952. Adds biographical detail to the 2014 profile.
Rappler first-person account (2 Feb 2016) of Suti (Arjo Sutiyem), 96: born 1920 in Musuk, third wife in an arranged marriage, joined Gerwis in 1951, chaired Musuk and Boyolali Gerwani, then persecuted in 1965. Fullest of three texts on her.
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Pohlman (2016) argues the demonisation of Gerwani created an enduring 'pathological discourse' constraining women's sexual and political citizenship; perpetrators invoked the slander to justify violence, as in the cases of Ibu Susiani and others.
Katharine McGregor's Aug 2016 gateway essay to the Indonesia section of the Women and Social Movements in Modern Empires database: anti-imperial activism, Gerwani and the WIDF, source guide (Api Kartini, congress reports) and thematic analyses. Introduction for researchers.
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Akhiriyati Sundari's 2016 Jurnal Perempuan review of the Indonesian translation of Wieringa's Sexual Politics in Indonesia (Penghancuran Gerakan Perempuan, 2010), recounting the Lubang Buaya slander as staged in the film and Gerwani's pioneering role. Book review.
Akhiriyati Sundari's second 2016 Jurnal Perempuan essay placing Gerwani in a typology of feminist theory as the most progressive socialist-feminist movement, strongest between its first and second congresses; marks 1965 and the IPT. Interpretive essay.
Tempo review (8 Feb 2016) of Elisabeth Ida Mulyani's video 'Supervivere' on 1965 exiles (Mintardjo and nine others in the Netherlands and Sweden), shown in Yogyakarta with a charcoal portrait 'Suti, Plight of Gerwani' by Dewi Candraningrum. It describes Suti, 95, founder of Gerwis Musuk/Boyolali in 1952, a literacy cam
Tempo editorial note (18 Apr 2016), recalling a 1978 Kartini Day feature on the women's movement from Aceh 1614 to the 1970s. It describes Kowani's formation (1946), Perwari's protest over Sukarno's 1954 marriage to Hartini, Perwari being squeezed as Gerwani, 'affiliated with the PKI', gained influence, and Gerwani ste
Tempo.co obituary (25 May 2016, Abdul Djalil Hakim) of Putmainah, 90, former Blitar Gerwani chair and DPRD-GR member for the PKI faction, called the last Gerwani branch head. It covers her family background (father a Red Sarekat Islam leader killed at Madiun 1948), ties to Sukarno's family, and mourners including a Ban