De Waarheid report (24 Jul 1948) on a Perhimpunan Indonesia group of Indonesian workers and students performing dances and songs in Paris and Saint-Denis at WIDF invitation during its women's exhibition. An Indonesian woman greeted French women; the piece notes Kowani is a WIDF member. No Gerwis/Gerwani and no named In
'Minah', a 1960 short story by Sulami in Women of the Whole World, winning that magazine's monthly contest. Set in colonial and Japanese-occupation Java: Minah fights for schooling at Kartini's school, is married off, then resists Japanese Commander Josida's attempt to take her as second wife; Josida is shot as the ind
July 1961 issue: interview on National Children's Week and education budget, Central Kalimantan customary law refuting colonial stereotypes, Sukarno's Manifesto against rock and roll, and French WIDF-affiliated women's press.
Women of the Whole World, 1961: staff writer Kate Lüders interviews Dagmar Bothas about a four-month government-guest visit to Java, Bali and Kalimantan, emphasising dance, music, temples and the literacy campaign (Minister Prijono). Gerwani appears only in a caption about May Day demonstrations; background material.
1961 short story 'The dawn is breaking' by Sulami, 'our Indonesian correspondent', in Women of the Whole World. Peasant woman Sarinah, active in the peasant organisation, explains the new Agrarian Act and land reform to village women, including women's right to own land and head households; landlords pay the government
Travel essay by M. L. Huber in Women of the Whole World, 1963, on a car journey from Jakarta toward East Java and Bandung, with a sweeping history of Indonesian civilisation, colonialism, the Round Table agreement and 1957 nationalisations, in a pro-Sukarno-era socialist-bloc framing. Gerwani is not mentioned.
Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.