Sukarno, the arch-intriguer
Nieuwe Haarlemsche Courant, 6 February 1958, p. 5: long profile of Sukarno by former correspondent C.H. Schaap, calling him an 'arch-intriguer' bent on absolute power, tracing his career to the 1957 cabinet. It mentions that his October 1954 second marriage to Hartini caused general indignation among Indonesian women,
Sukarno, the master intriguer
Profile of President Sukarno in the Curaçao weekly Amigoe di Curaçao (18 Feb 1958, p. 4), portraying him as a charming but ruthless 'master intriguer' and authoritarian. It narrates his career and notes women's indignation at his 1954 marriage to Hartini despite his book Sarinah. Gerwani is not mentioned.
Sukarno, the master intriguer [duplicate]
Second copy (different Delpher ID) of the Amigoe di Curaçao profile of Sukarno, 18 Feb 1958: an unflattering account of him as authoritarian master intriguer, from 1920s nationalism to the 1957 cabinet. Mentions the general women's indignation at his marriage to Hartini despite writing Sarinah. Gerwani is not named.
Backgrounds of the rebellion in Djakarta (conclusion)
Algemeen Handelsblad (1965-10-09), concluding part of 'Backgrounds of the rebellion in Djakarta': surveys PKI under Aidit, PNI infiltration (including its women's movement), PKI campaign against village ulama, the banned BPS and the army's rising role under Nasution. Names S.K. Trimurti as wife of Sajuti Melik and chai
Sukarno, founder of Indonesia
Algemeen Handelsblad obituary-profile of Sukarno (1970-06-22), covering his life, Guided Democracy, Nasakom, and the 30 September 1965 events, which it blames on palace guards and communist groups, followed by an anti-communist reaction costing 'tens of thousands' of lives. A photo caption states General Yani was murde
Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia (Sullivan, 2020)
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation