Snapshot (13 Oct 2026) of the Perpustakaan Online Genosida 1965-1966 homepage, a volunteer digital library with teasers on the IPT 1965 report, West Kalimantan stories, the Buru documentary BABE and Plantungan archival footage. Navigation page.
Snapshot (13 Oct 2026) of the YPKP 1965 homepage, showing posts on forced labour of political prisoners in Banten, the Tangerang detention centre and the 'Bukan Cuma Angka' compilation. Navigation page for the survivors' foundation.
TAPOL Bulletin no. 132 (December 1995), London-based human rights newsletter, mostly on East Timor (Xanana Gusmao interview, embassy asylum bids), Sri-Bintang Pamungkas's trial, labour unrest and Freeport. Relevant to 1965: 'The spectre haunting Suharto' on the regime's 'formless organisations' communist myth (p.13-16)
YPKP statement (18 Feb 2000) on the reconciliation agenda, arguing reconciliation must include all victims, not elite compromise, and setting twelve agenda items including exposing G30S sponsors and trying perpetrators of the massacres. Victims' foundation position paper.
Tempo report (1 Oct 2012) on the killing fields of Boyolali and Klaten at the foot of Merapi from 22 Oct 1965, with RPKAD and Kodam Diponegoro. Testimony of Soepomo (Pemuda Rakyat, now head of the 1965 victims research foundation) and Gito Sudarmo, who 'took quotas' of suspected PKI for execution at sites such as Sonol
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
12-minute clip of tvOne's Indonesia Lawyers Club (2017), episode 'PKI, Hantu atau Nyata?'. Split-screen debate between Bedjo Untung of YPKP 1965 and Kivlan Zen, who per the title attacks him. Shows contemporary anti-communist hostility toward 1965 survivors' advocacy. Description only.
45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.