Michal Bielecki's 2025 analysis of 'Selamatan Anak Cucu Sumilah', a participatory performance (30 Nov 2018, UGM) with the Kipper forum of women ex-prisoners, commemorating Maria Goreti Sumilah, arrested at fourteen by mistake and held at Plantungan. Memorialisation through performance.
Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani
Tempo.co interview (11 Nov 2025, Shinta Maharani and Juli Hantoro) with Saskia Wieringa, known for Gerwani research, on Suharto's designation as national hero. She says it perpetuates symbolic violence and impunity (Drexler), recalls the brutal 1965 slander of Gerwani and the 'Gerwani baru' label, and argues Suharto de
Tempo magazine report (16 Nov 2025, Shinta Maharani and Iwan Kurniawan) on the Biennale Jogja solo exhibition of Lekra artist Mia Bustam at Benteng Vredeburg (opened 6 Oct 2025), based on Astrid Reza's thesis. It covers her arrest, nearly 14 years' detention (Plantungan gardener), embroidery, paintings, Api Kartini mag
Tempo.co interview (22 Dec 2025, Savero Aristia Wienanto and Reza Maulana) with Saskia Wieringa on her book on the Indonesian lesbian, bisexual and trans movement. She traces discrimination to colonialism and says the 1965 sexual slander of Gerwani, accused of cutting generals' genitals while dancing erotically, was In
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)
Tempo.co interview (21 Sep 2026, Yosea Arga) with Balinese writer Oka Rusmini about her poetry book 'Kembang' (28 Aug 2026), inspired by the film 'You and I' on survivors Kusdalini and Karminah. She discusses women's layered trauma, state stigma and sexual violence; one poem evokes the slander of young women prisoners