Duke University Press book (2005) by M. Jacqui Alexander gathering essays on heteropatriarchy, neocolonial states and 'palimpsestic time' in the Bahamas, Trinidad and the US. Transnational-feminist theory; no Indonesian content.
Francisca de Haan's article (German, Feministische Studien 2009) on the WIDF's early years 1945-50: founding congress in Paris, leaders Cotton, Ibarruri and Popova, and the destruction of the US affiliate by HUAC. Background on the federation Gerwani later joined.
Michele Ford's 2010 article arguing the New Order consciously rewrote Indonesian labour history to justify a single state union (FBSI, 1973), comparing sixteen labour histories. Context on labour historiography; not Gerwani-specific.
María Lugones's 2010 Hypatia essay on decolonial feminism and the colonial/modern gender system, arguing the human/non-human dichotomy shaped colonised sexuality. Theory background; no Indonesian content.
Lisa Lowe's 2015 Duke monograph arguing European liberalism, Atlantic colonialism, slavery and the East Indies and China trades are interconnected yet kept apart by the colonial archive. Postcolonial theory background; no Gerwani content.
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Album cover image for Dialita's 2016 'Dunia Milik Kita' (Yes No Wave YESNO083): the title in green script surrounded by botanical drawings of leaves, flowers and gourds on a pale blue background. No further text.
Two-page CD sleeve of Dialita's 'Dunia Milik Kita' (Yes No Wave YESNO083, 2016) in Indonesian: track list crediting guest artists Frau, Cholil Mahmud, Sisir Tanah, Lintang Radittya, Kroncongan Agawe Santosa and Nadya Hatta. A notice says the MP3s are free under a digital licence and that copying and selling the CD is '
2017 Rowman and Littlefield volume edited by Margaret McLaren on decolonising transnational feminism under neoliberal globalisation, with ten chapters on epistemology and politics and a preface by Mohanty. Theory background; no Indonesian content.
Kristen Ghodsee's 2019 Duke monograph arguing socialist 'Second World' women, allied with newly independent states, shaped the UN Decade for Women and were then erased from feminist history. Background on socialist-bloc women's internationalism.
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
Douglas Kellner's 2021 Springer VS book (series Medienkulturen im digitalen Zeitalter) builds a Frankfurt School critical theory of digital technologies, linking technocapitalism and technopolitics to democracy, media spectacle, social movements and multiple literacies in education.
Firuzeh Shokooh Valle's 2023 Stanford UP ethnography of feminist digital activists in the Global South who contest development discourse on 'women and ICT'; it shows how solidarity and pleasure, and uneasy alliances with funders, shape a 'feminist technological otherwise'. Includes a methods appendix.
Pohlman and colleagues' 2024 article presenting the IndoTorM dataset of 4,072 torture victims (1965 onward), with heat maps showing beatings and forced stripping constant over time and rape dominant for women and children. Quantitative context on New Order torture.
Short reference entry by Suneel Jethani (University of Technology Sydney) defining technopolitics as a perspective on how technical objects, systems and logics mediate the relation between people and power, against deterministic views of technology, with a short reading list (Hecht, Feenberg, Fejerskov and others). Yea
Yulia Gradskova's 2025 open-access monograph on 'East South' women's networks from the late 1950s to the 1980s through Tashkent and Havana, using GARF, WIDF and Radio Free Europe files. Background on socialist-bloc women's internationalism.
Sarah Sharma's 2026 Duke monograph reads Big Tech through feminist media theory, arguing that tech culture casts women and feminised labour as 'tools' of a patriarchal machine world (starting from McLuhan's 'sex organs of the machine world'); chapters on the 'woman in tech', domestic and basement tech, platform wealth