2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Historia.id article (preview only, 2022) on the song Genjer-genjer and its composer Mohammad Arief, countering the film's claim that Gerwani and Pemuda Rakyat sang it by saying it reflects Japanese-occupation suffering and that Arief was a santri's son. Partial text.
Tempo report (20 Nov 2022, Dian Yuliastuti and Seno Joko Suyono) on the Dialita choir winning the 2022 Akademi Jakarta award. Formed 2011 by daughters and women ex-prisoners (including Utati and Mudjiati, Bukit Duri and Plantungan), it sings songs composed in detention, such as 'Salam Harapan' and 'Taman Bunga Plantung
Tempo.co report (11 Dec 2024, Ihsan Reliubun and Reza Maulana) on the Dialita choir at Human Rights Day and Mia Bustam's book launch. Chair Uchikowati's mother Hartati was a Gerwani member; her parents were arrested on 1 Nov 1965 (mother freed 1973). Dialita was founded in 2011 by ex-prisoners from Bukit Duri, Ambarawa
Indonesian Wikipedia article (retrieved 13 Oct 2026) on Dialita ('Di Atas Lima Puluh Tahun'), the Jakarta choir formed 2011 by Uchikowati Fauzia of women ex-prisoners and relatives, trained by Buru ex-prisoner Martin Lapanguli, performing songs composed in prison. Encyclopedic summary.
English Wikipedia article (retrieved 13 Oct 2026) on the folk song Genjer-genjer by Muhammad Arief: 1942 Banyuwangi famine origin, 1963 peak on TVRI/RRI, and its place in the Lubang Buaya myth that Pemuda Rakyat and Gerwani sang it while mutilating the generals; banned until 1998. Encyclopedic summary.