Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Album cover image for Dialita's 2016 'Dunia Milik Kita' (Yes No Wave YESNO083): the title in green script surrounded by botanical drawings of leaves, flowers and gourds on a pale blue background. No further text.
Two-page CD sleeve of Dialita's 'Dunia Milik Kita' (Yes No Wave YESNO083, 2016) in Indonesian: track list crediting guest artists Frau, Cholil Mahmud, Sisir Tanah, Lintang Radittya, Kroncongan Agawe Santosa and Nadya Hatta. A notice says the MP3s are free under a digital licence and that copying and selling the CD is '
One-hour (55:48) audio compilation of songs associated with the Indonesian communist movement and the Sukarno era, compiled and uploaded by GETchan to the Internet Archive in 2016. Description only; no track list or transcript, so Gerwani content cannot be confirmed.
Live audio (12:06), 2016, of the Dialita choir of women survivors of 1965 and relatives performing at LBH Jakarta during the Belok Kiri (Turn Left) Festival. Documents survivors' song as public memory work. Description only; no repertoire listed.
Jurnal Perempuan event report (3 Aug 2016) on a Solo discussion of Adrian Mulya's photobook Pemenang Kehidupan, portraits of elderly 1965 survivors made over seven years. Context on photography and survivors.
Audio item (description only, no transcript): 'Data dan Fakta Kebangkitan PKI', a 3:12:35 recording of lectures by Alfian Tanjung, Rizieq Shihab and Kivlan Zen, tagged Aksi Bela Islam III (2017), hosted on archive.org. It argues for an alleged revival of the PKI; relevant as contemporary anti-communist propaganda. No G
12-minute clip of tvOne's Indonesia Lawyers Club (2017), episode 'PKI, Hantu atau Nyata?'. Split-screen debate between Bedjo Untung of YPKP 1965 and Kivlan Zen, who per the title attacks him. Shows contemporary anti-communist hostility toward 1965 survivors' advocacy. Description only.
Undergraduate article (2017) on the twelfth Kowani congress, Jakarta, 6-9 Feb 1961, arguing it tied the women's movement to government policy under Guided Democracy and sidelined polygamy and literacy issues; notes a Perwari-Gerwani split. Mostly general survey.
Two-page south-east Asia magazine piece (südostasien 1/2017, German) translating Wieringa's statement as IPT 1965 chair on the July 2016 verdict: crimes against humanity, 400,000-600,000 killed, sexual violence, hate propaganda, complicity of the US, UK and Australia. Gerwani not named.
McGregor and Hearman's 2017 chapter on AAPSO (founded Cairo 1957-58) as the main vehicle of the 'Bandung Spirit' among non-state activists 1955-65, taking up Sukarno's 'lifeline of imperialism' image. Context for Afro-Asian solidarity.
Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.
2017 Rowman and Littlefield volume edited by Margaret McLaren on decolonising transnational feminism under neoliberal globalisation, with ten chapters on epistemology and politics and a preface by Mohanty. Theory background; no Indonesian content.
Ariel Heryanto's essay (Indonesia at Melbourne, 16 Jan 2018) arguing the state's own story of the 30 September Movement, disseminated since 1966, is the 'primary hoax' behind later 'secondary' ones. Commentary on state disinformation.
Historia article (2018) on the 1953 women's campaign against Government Regulation 19/1952 giving civil-service pensions to all widows of polygynous officials, including the 17 Dec 1953 mass meeting at Deca Park attended by Gerwani and others. Context on the anti-polygamy movement.
Anna Assa's 2019 literary thesis applying Hirsch's postmemory to Ngarto Februana's novel Tapol (2002), arguing the author received 1965 memory affiliatively from three elderly ex-prisoners. Literary context; Gerwani not central.
Kristen Ghodsee's 2019 Duke monograph arguing socialist 'Second World' women, allied with newly independent states, shaped the UN Decade for Women and were then erased from feminist history. Background on socialist-bloc women's internationalism.
45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.
Hearman's review essay (Archipel 99, 2020) of the documentary Pulau Buru: Tanah Air Beta (2016), in which Hersri Setiawan and Tejabayu Soedjojono return to Buru, with Ita Nadia and Ken Setiawan. Context on Buru and its memory.
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.
2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
Historia report (22 Dec 2020) on an online dialogue with Ita Fatia Nadia and Tunggal Pawestri sketching milestones of the Indonesian women's movement from Kartini and early organisations through the 1928 congress. Short popular summary.
PhD dissertation (History, University of Washington, 2020) by Hongxuan Lin tracing the confluence of Islam and Marxism in the Netherlands East Indies and Indonesia, 1915-1959, through vernacular print culture; it genealogises Sukarno's NASAKOM. Gerwani appears only briefly: citing Blackburn, it says millions joined for
2021 article applying postmemory and '1.5 generation' concepts to the 1965 novels Pulang (Leila Chudori) and Amba (Laksmi Pamuntjak), distinguishing exiles, 1.5-generation and second-generation characters. Literary context.