Tempo, 1 October 2012: Taking quotas in the red zone (Boyolali and Klaten)
Tempo report (1 Oct 2012) on the killing fields of Boyolali and Klaten at the foot of Merapi from 22 Oct 1965, with RPKAD and Kodam Diponegoro. Testimony of Soepomo (Pemuda Rakyat, now head of the 1965 victims research foundation) and Gito Sudarmo, who 'took quotas' of suspected PKI for execution at sites such as Sonol
Tempo, 1 October 2012: The Tulungagung fighter in shackles
Tempo profile (1 Oct 2012) of Supardi, 71, a Tulungagung silat fighter recruited by Ansor as an executioner in 1965, who later developed a mental disorder and has been shackled by his family for about 30 years. Account from his brother Marjuni and sister. Gerwani is not mentioned.
Tempo, 1 October 2012: Graves above wells (Lumajang and Magetan)
Tempo report (1 Oct 2012) on killing sites in Lumajang (Pandanwangi, Curah Mayit, Srebet) and Magetan (Puhrancang well, Gangsiran forest), with testimony from Ansor/Banser participants and villagers. Notes NU leaders called it jihad, army backing, and that many victims were not PKI. Gerwani is not mentioned.
Tempo, 1 October 2012: 'I often carried a long axe' - introduction to the special edition on 1965 executioners
Editor's introduction (Tempo, 1 Oct 2012) to the special edition on 1965 executioners, prompted by The Act of Killing and Anwar Congo. It sets out the aims (view from perpetrators, Banality of Evil, verification of sources), mentions Sikka, Palembang and the camps at Buru, Plantungan and Moncongloe as an Indonesian Gul
Tempo, 1 October 2012: A camp in the middle of the river (Pulau Kemaro, Palembang)
Tempo report (1 Oct 2012) on Pulau Kemaro, Palembang, used as a military concentration camp in the 1960s-70s; Komnas HAM heard of about 30,000 killed or disappeared in South Sumatra. Testimony of Suwandi and Mochtar Effendy on torture, starvation and mass killing in Sept-Oct 1966 when prisoners dropped to 17. Gerwani i
Tempo, 1 October 2012: A confession from the clump of kapok trees (Palu)
Tempo report (1 Oct 2012) on Palu, Central Sulawesi: ex-soldier Ahmad Bantam confesses to digging the grave for three PKI leaders executed in May 1967 and tells their families; Solidaritas Korban documents 1,000+ victims; Mayor Rusdi Mastura publicly apologises (24 Mar 2012) and promises health care, scholarships, a mo
Tempo, 1 October 2012: After 'God died' at Mlancu
Tempo report (1 Oct 2012) on the Mlancu massacre (Kediri-Jombang border), where about 700 alleged PKI were killed in November 1965, drawing on Hermawan Sulistyo's research and witnesses. Presents PKI land reform, ludruk plays and 'Seven Village Demons' lists as roots of tension with kiai and NU/Ansor. Mentions the Peng
Tempo, 1 October 2012: After the pistol fired at Tegalbadeng (killings in Bali)
Tempo report (1 Oct 2012) on how mass killing began in Bali from Tegalbadeng, Jembrana, after a shooting on 30 Nov 1965; PNI 'Tameng Marhaenis' squads, trucks and beach executions, with RPKAD arrival in Dec (Geoffrey Robinson). Testimony from Ida Bagus Raka Negara and others on the Toko Wong detention site. Gerwani is
Ex-PKI political prisoners and government control: Moncongloe community, South Sulawesi (Ahmad, 2013)
2013 article by Taufik Ahmad on about 911 ex-political prisoners (BTI, Lekra, CGMI, Gerwani activists) held at Moncongloe, South Sulawesi: their 1975-77 release and post-release control through reporting, Pancasila courses, ET identity-card code and screening. Context on stigma.
Missing Victims of the 1965-66 Violence: Representing Impunity On-screen in The Act of Killing (Hearman, 2014)
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Stigma of women victims of sexual violence and erasure of existence (Lustanto, 2015)
Rendi Lustanto's 27 Sep 2015 Jurnal Perempuan essay on the stigma of women pregnant outside marriage and victims of sexual violence; Gerwani enters only briefly. Opinion piece with little Gerwani content.
Ripples, Echoes, and Reverberations: 1965 and Now in Indonesia (Stroud, 2015)
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Acknowledgement and Truth for 1965 Victims: A Call for Comprehensive Reparations (AJAR, 2016)
AJAR press statement, 19 April 2016, responding to the national symposium on 1965; says officials were reluctant to apologise and insists on victims' rights to truth, justice and reparations. Civil-society reaction to state handling of 1965.
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Dialita, Dunia Milik Kita: Album Cover (2016)
Album cover image for Dialita's 2016 'Dunia Milik Kita' (Yes No Wave YESNO083): the title in green script surrounded by botanical drawings of leaves, flowers and gourds on a pale blue background. No further text.
Dialita, Dunia Milik Kita: Track List and CD Sleeve (2016)
Two-page CD sleeve of Dialita's 'Dunia Milik Kita' (Yes No Wave YESNO083, 2016) in Indonesian: track list crediting guest artists Frau, Cholil Mahmud, Sisir Tanah, Lintang Radittya, Kroncongan Agawe Santosa and Nadya Hatta. A notice says the MP3s are free under a digital licence and that copying and selling the CD is '
One Hour of Indonesian Communist Music (Compilation, 2016)
One-hour (55:48) audio compilation of songs associated with the Indonesian communist movement and the Sukarno era, compiled and uploaded by GETchan to the Internet Archive in 2016. Description only; no track list or transcript, so Gerwani content cannot be confirmed.
Dialita Live at LBH Jakarta, Belok Kiri Festival, 2016
Live audio (12:06), 2016, of the Dialita choir of women survivors of 1965 and relatives performing at LBH Jakarta during the Belok Kiri (Turn Left) Festival. Documents survivors' song as public memory work. Description only; no repertoire listed.
Photobook Pemenang Kehidupan and efforts to reveal the 1965-66 issue (Parengkuh, 2016)
Jurnal Perempuan event report (3 Aug 2016) on a Solo discussion of Adrian Mulya's photobook Pemenang Kehidupan, portraits of elderly 1965 survivors made over seven years. Context on photography and survivors.
Data and Facts on the Revival of the PKI (Audio Lectures, 2017)
Audio item (description only, no transcript): 'Data dan Fakta Kebangkitan PKI', a 3:12:35 recording of lectures by Alfian Tanjung, Rizieq Shihab and Kivlan Zen, tagged Aksi Bela Islam III (2017), hosted on archive.org. It argues for an alleged revival of the PKI; relevant as contemporary anti-communist propaganda. No G
Kivlan Zen Attacks Bedjo Untung (YPKP 1965) on Indonesia Lawyers Club, tvOne, 2017
12-minute clip of tvOne's Indonesia Lawyers Club (2017), episode 'PKI, Hantu atau Nyata?'. Split-screen debate between Bedjo Untung of YPKP 1965 and Kivlan Zen, who per the title attacks him. Shows contemporary anti-communist hostility toward 1965 survivors' advocacy. Description only.