Tempo.co, 10 December 2024: Pearls of Mia Bustam's tetralogy - first love, divorce and prison
Tempo.co report (10 Dec 2024, Istiqomatul Hayati and Ihsan Reliubun) on Mia Bustam's four memoirs: 'Sudjojono dan Aku' (written from 1985, on her marriage and divorce, edited by Hersri Setiawan), 'Dari Kamp ke Kamp' (13 years' detention), 'Kelindan Asa dan Kenyataan' and 'Mutiara Kisah Masa Lalu'. Her children explain
Traumatic Memory and Family Dynamics of Political Prisoners in Chudori's Namaku Alam (Karim et al., 2025)
2025 article on Leila Chudori's novel Namaku Alam (sequel to Pulang) as literary representation of trauma transmission in families of political prisoners, using Caruth, Hirsch and Halbwachs. Literary context.
Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965 (Borgonjon, 2025)
Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani
Tempo, 16 November 2025: Rare archive of Lekra artist Mia Bustam (Biennale Jogja solo exhibition)
Tempo magazine report (16 Nov 2025, Shinta Maharani and Iwan Kurniawan) on the Biennale Jogja solo exhibition of Lekra artist Mia Bustam at Benteng Vredeburg (opened 6 Oct 2025), based on Astrid Reza's thesis. It covers her arrest, nearly 14 years' detention (Plantungan gardener), embroidery, paintings, Api Kartini mag
Genjer-genjer (English Wikipedia, accessed 2026-10-13)
English Wikipedia article (retrieved 13 Oct 2026) on the folk song Genjer-genjer by Muhammad Arief: 1942 Banyuwangi famine origin, 1963 peak on TVRI/RRI, and its place in the Lubang Buaya myth that Pemuda Rakyat and Gerwani sang it while mutilating the generals; banned until 1998. Encyclopedic summary.
Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)