Pohlman's chapter on the interrogation and torture centres ('devil's houses') in the army's 1965-70 detention system, opening with Sudjinah's account of capture with Sulami in Feb 1967 and torture at Gunung Sahari. Evidence from a handful of survivor testimonies.
Dialita: Collective Memories of Former Women Political Prisoners in Java (Lestariningsih and Sunarti, 2022)
Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.
Women's voices in the songs of the Dialita choir (Saraswati, 2022)
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Mia Bustam's paintings and embroidery (Tempo, 20 Aug 2022)
Tempo feature (20 Aug 2022) by Seno Joko Suyono and Nurdin Kalim on the paintings and embroidery of Mia Bustam, former wife of the painter S. Sudjojono. Her children recall her Lekra activity, the loss of a self-portrait when the Lekra secretariat was raided in 1965, and works made in Wirogunan prison (1966-71) and at
Tempo, 2 October 2022: Memory of sewing machines and smuggled paper (political prisoners at Plantungan and Buru)
Tempo report (2 Oct 2022, Dini Pramita and Dody Hidayat) on forced labour and memory of 1965 political prisoners. Yosephina Endang Lestari recalls Plantungan women's camp (sewing unit, Santiaji Pancasila, poor health); Ita F. Nadia describes its five aims including re-domestication of women. Hersri Setiawan (Buru) and
Tempo, 20 November 2022: Dialita's bold voice (Akademi Jakarta award)
Tempo report (20 Nov 2022, Dian Yuliastuti and Seno Joko Suyono) on the Dialita choir winning the 2022 Akademi Jakarta award. Formed 2011 by daughters and women ex-prisoners (including Utati and Mudjiati, Bukit Duri and Plantungan), it sings songs composed in detention, such as 'Salam Harapan' and 'Taman Bunga Plantung
The G30S-PKI in modern Indonesian novels by post-Reformasi women authors (Efendi et al., 2023)
2023 UNY article on how three post-Reformasi novels by women authors (Ayu Utami's Manjali dan Cakrabirawa, Leila Chudori's Pulang, Laksmi Pamuntjak's Amba) re-interpret facts of G30S, including Buru detention and 'PKI descendant' stigma. Literary context.
Tempo, 17 September 2023: Why 1965 exiles will not return home
Tempo report (17 Sep 2023, Raymundus Rikang and Stefanus Pramono) on 1965 exiles who decline to return despite visa and residence facilities offered by ministers Mahfud Md. and Yasonna Laoly in Amsterdam and Prague. Sri Budiarti (Aachen, ex-student in Budapest) demands truth and an apology and removal of the stigma tha
Tempo.co, 11 December 2024: Human Rights Day - how Dialita fights the stigma of the 1965 tragedy
Tempo.co report (11 Dec 2024, Ihsan Reliubun and Reza Maulana) on the Dialita choir at Human Rights Day and Mia Bustam's book launch. Chair Uchikowati's mother Hartati was a Gerwani member; her parents were arrested on 1 Nov 1965 (mother freed 1973). Dialita was founded in 2011 by ex-prisoners from Bukit Duri, Ambarawa
Tempo, 15 December 2024: Inside Francisca Fanggidaej's diaries for her children (notes of exile)
Tempo magazine article (15 Dec 2024, Dian Yuliastuti and Iwan Kurniawan) on Francisca Fanggidaej's papers at the IISH, Amsterdam, notably her diaries 'Sasja' and 'Nila' written in exile in Beijing from Oct 1965 to her children. Her daughters recall the family's separation, stigma at school and her later reunion. It not
Marriages between political prisoners' wives and army officers (Kochi Kaoru, 2025)
Kochi Kaoru's 2025 article using second-hand-market documents to show that wives and widows of leftist men, including former Gerwani members, married or became concubines of officers and soldiers, and the army banned the practice; also covers 'bersih diri' certificates and disenfranchisement.
Michal Bielecki's 2025 analysis of 'Selamatan Anak Cucu Sumilah', a participatory performance (30 Nov 2018, UGM) with the Kipper forum of women ex-prisoners, commemorating Maria Goreti Sumilah, arrested at fourteen by mistake and held at Plantungan. Memorialisation through performance.
Tamasya Taman Bunga: In Search of Mia Bustam (zine, 2025)
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Tamasya Taman Bunga: In Search of Mia Bustam (zine, 2025)
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Not Just Numbers: Compilation of Life Stories of 260 Victims and Survivors of '65 (YPKP 1965, 2026)
YPKP 1965 index (6 April 2026) of about 260 life stories of those killed, imprisoned or exiled in 1965-66, women first (57 entries), then men and exiles, linking to the Perpustakaan Online blog. Valuable finding aid to named women survivors.
Dialita (Indonesian Wikipedia, accessed 2026-10-13)
Indonesian Wikipedia article (retrieved 13 Oct 2026) on Dialita ('Di Atas Lima Puluh Tahun'), the Jakarta choir formed 2011 by Uchikowati Fauzia of women ex-prisoners and relatives, trained by Buru ex-prisoner Martin Lapanguli, performing songs composed in prison. Encyclopedic summary.
Tempo.co, 21 September 2026: Oka Rusmini - recording the wounds of women survivors of 1965
Tempo.co interview (21 Sep 2026, Yosea Arga) with Balinese writer Oka Rusmini about her poetry book 'Kembang' (28 Aug 2026), inspired by the film 'You and I' on survivors Kusdalini and Karminah. She discusses women's layered trauma, state stigma and sexual violence; one poem evokes the slander of young women prisoners