Api Kartini interview-report with Dr. Hurustiati Subandrio, head of the Indonesian women's delegation to the Copenhagen International Women's Conference (April 1960, 73 countries). She chaired the first plenary on 21 April (Kartini Day), sat on the Presidium and chaired the Education and Culture Commission; other deleg
Api Kartini (late 1964) history of the Indonesian women's movement for Youth Pledge Day, tracing Kartini, Isteri Sedar, Perwari, wartime Fujinkai and Gerwis's founding on 4 June 1950 from the Gerakan Wanita Sedar, its name change to Gerwani after merging with railway workers' wives and Perwin Menado, joining Kowani and
Stencilled lecture text, 'Sedjarah Modern Indonesia' (1964), by Pramoedya Ananta Toer for a literature faculty course (cover bears 'Res Publica'); OCR is very noisy. Introduction (pp. 2-5) defines 'history', 'modern' and 'Indonesia' from a Marxist-nationalist view; later chapters treat Dutch colonial exploitation, assi
Moscow News (English), 25 April 1964, pp. 13-16 section. Includes a travelogue by a Soviet cultural-delegation member on Indonesia (new Jakarta monuments, Soviet-built stadium, 100,000 students, Lekra in Bandung) and a short item on a Moscow meeting marking Kartini's birth, run by the USSR-Indonesia Society's Women's C
De Vrijdag (Het Parool, 6 Oct 1995) article by Hanneke de Wit on Saskia Wieringa's Amsterdam PhD on the Indonesian women's movement. It recounts the 1965 press claims that Gerwani girls castrated and blinded generals and danced naked, which Wieringa calls lies; autopsies showed the generals intact. It details forced 'c
PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation