Bloody Orgy at Halim Air Base (Canberra Times, 15 April 1966)
Canberra Times, 15 Apr 1966, p. 10: concluding part of a 'Special Correspondent' account repeating the Lubang Buaya slander. Claims 100 Gerwani women at Halim took razor blades, tortured and mutilated the generals, citing 'Mrs Djamilah' via the Djakarta Mail (15 Nov), singing 'People's Blood'. Adds Nasution escape narr
Bloody Orgy at Halim Air Base (Canberra Times, 15 April 1966), duplicate
Canberra Times, 15 Apr 1966, p. 10: concluding part of a 'Special Correspondent' account repeating the Lubang Buaya slander. Claims 100 Gerwani women at Halim took razor blades, tortured and mutilated the generals, citing 'Mrs Djamilah' via the Djakarta Mail (15 Nov), singing 'People's Blood'. Adds Nasution escape narr
Suharto's fear of the voice of Gerwani (on Saskia Wieringa's research)
De Vrijdag (Het Parool, 6 Oct 1995) article by Hanneke de Wit on Saskia Wieringa's Amsterdam PhD on the Indonesian women's movement. It recounts the 1965 press claims that Gerwani girls castrated and blinded generals and danced naked, which Wieringa calls lies; autopsies showed the generals intact. It details forced 'c
Saskia Wieringa essay (22 Aug 2015, IPT 1965 site) on the army's sexual slander of Gerwani, reconstructing how 'Jamilah, Srikandi of Lubang Buaya' appeared in near-identical newspaper confessions in Nov 1965 and how a teenage Jemilah was arrested in place of the Gerwani leader Atikah. Key analysis of slander as fabrica
Umi Sardjono, the Marxist feminist who steered Gerwani (Rahayu, 2017)
Ruth Indiah Rahayu's 2017 biographical portrait of Umi Sardjono (1923-2011), Gerwani chair, from Umi's own stories told 2004-09; opens with the film's Jamilah, whom Umi met in detention and apologised to. Intimate life history of a Gerwani leader.
Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia (Sullivan, 2020)
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation