Klaus Schreiner's 2003 chapter reading the Monumen Pancasila Sakti at Lubang Buaya as a 'site of memory' and founding shrine of the New Order, noting the 1998 end of the annual film broadcast; applies Halbwachs, Nora and trauma theory. Memory-studies framing.
Yosef Djakababa's 2009 Wisconsin dissertation on how the New Order built the official Lubang Buaya narrative (PKI sole mastermind, spontaneous people's response) via army history, Mahmillub trials, the monument, Hari Kesaktian Pancasila and the film. Key study of official memory.
Seven-page summary (LIPI journal, 2010) of Djakababa's dissertation arguing 1 Oct 1965 was chaotic and the New Order turned it into a good-versus-evil narrative via trials, the monument, commemoration and the film. Short companion to the full thesis.
Wieringa's 2011 article condensing her research: the army's sexual slander of Gerwani was the spark without which the genocide would not have happened; reconstructs the Lubang Buaya night (about 70 women and girls, mostly Pemuda Rakyat volunteers) and reads the monument mural. Programmatic synthesis.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)