Leslie Dwyer's 2004 article on the gendered violence of 1965-66 in Bali, framed by Ibu Ari, whose husband and brother were taken by PNI paramilitaries and who was sexually 'inspected'; argues women's silence is a culturally specific semiotics, not absence of memory. Fieldwork-based gender analysis.
Vannessa Hearman's 2013 article on memories 'under duress', from interviews with over thirty ex-prisoners: screening and stigma forced concealment, name changes and silence; Gerwani appears via 'Leila' and 'Tuti' and Sukarno-era WIDF internationalism. Oral history methodology.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
Leksana and Subekti (2022) on how 1965 memory reaches third-generation members of three survivor families, arguing family silence is a survival strategy preserving memory via fragmented narratives, mysticism and depoliticisation; one case has Gerwani grandparents.
Soe Tjen Marching's collection (Amsterdam UP 2017; Routledge 2025) of twenty survivor and descendant testimonies organised by generation, including 'Steel Women', and introducing the 'mutation of fear'. Summarises the 1965 slander of Gerwani; key testimony source.
2025 article on Leila Chudori's novel Namaku Alam (sequel to Pulang) as literary representation of trauma transmission in families of political prisoners, using Caruth, Hirsch and Halbwachs. Literary context.