Eight photographs of dioramas and installation work at the Museum Pengkhianatan PKI, including a life-size Supersemar tableau with Sukarno and a woman in kebaya beside him. Visual record of the museum's making.
Eleven damaged colour prints (June 1974) of dioramas made by Edhi Sunarso's workshop for the Museum Satriamandala, showing oath-taking, assemblies and possibly an exhumation scene. Uncaptioned visual record of the military museum's historical narrative.
Official record of the first handover, 30 Sep 1975, of 29 dioramas by Edhi Sunarso to the Armed Forces History Centre for the Museum Pusat ABRI. Documents the production of military-history dioramas that fed the 1965 narrative.
Official record of the second and final handover of 29 dioramas by Edhi Sunarso to Nugroho Notosusanto's Armed Forces History Centre, Dec 1975. Shows the Pusjarah project that produced official military history displays.
Urgent memo no. 741, 22 May 1975, from Pusjarah ABRI asking Edhi Sunarso to send finished diorama figures to the Museum ABRI before a ministry inspection. Administrative record; no Gerwani or 1965 content.
Photograph, image 05 of Khastara item 582249 (Yayasan Idayu albums), captioned as a meeting of women fighters ('wanita pejuang') at Gedung Kebangkitan Nasional on 21 May 1977. It sits in the S.K. Trimurti photo series, so Trimurti may appear, but no one is identified in the caption data. Image content not described; ca
Photograph, image 01 of Khastara item 1114786, captioned as the opening of a carnival bazaar by Ibu Trimurti at Gedung Joang 45, Menteng Raya, Jakarta, on 13 August (1977 per the file name; the caption is truncated). From the Yayasan Idayu albums. Content not described. Image content not described; caption data only.
Photograph, image 07 of Khastara item 1114786, captioned as the opening of a carnival bazaar by Ibu Trimurti at Gedung Joang 45, Menteng Raya, Jakarta, on 13 August (1977 per the file name; caption truncated). From the Yayasan Idayu albums. Content not described. Image content not described; caption data only.
Letter of 20 Nov 1992 from Brig. Gen. Bintarto appointing PT Tiga Hasta Kreatifa without tender to renovate the Paseban building, dioramas and pool at the Pancasila Sakti Museum for Rp 88,484,000. Administrative record of the Lubang Buaya memorial project.
The Guardian, 23 May 1998, p.24, Martin Woollacott, 'Chaos at Crocodile Hole': comment on Suharto's fall, arguing it is no triumph and that his legacy of division (military vs Islamists, rich vs poor, ethnic and religious tensions) leaves the country fragile. It opens with the Crocodile Hole (Lubang Buaya) shrine, whos
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.
Tempo magazine report (16 Nov 2025, Shinta Maharani and Iwan Kurniawan) on the Biennale Jogja solo exhibition of Lekra artist Mia Bustam at Benteng Vredeburg (opened 6 Oct 2025), based on Astrid Reza's thesis. It covers her arrest, nearly 14 years' detention (Plantungan gardener), embroidery, paintings, Api Kartini mag
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)