Official record of the first handover, 30 Sep 1975, of 29 dioramas by Edhi Sunarso to the Armed Forces History Centre for the Museum Pusat ABRI. Documents the production of military-history dioramas that fed the 1965 narrative.
Official record of the second and final handover of 29 dioramas by Edhi Sunarso to Nugroho Notosusanto's Armed Forces History Centre, Dec 1975. Shows the Pusjarah project that produced official military history displays.
Handwritten draft by sculptor Edhi Sunarso, 30 Nov 1992, asking Bank Niaga Yogyakarta for a 5% performance guarantee for the Paseban, diorama and pool renovation at Monumen Pancasila Sakti. Shows the commercial side of the state memory project.
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women