Buru Island: Still Much More to Reveal (Hearman, 2020)
Hearman's review essay (Archipel 99, 2020) of the documentary Pulau Buru: Tanah Air Beta (2016), in which Hersri Setiawan and Tejabayu Soedjojono return to Buru, with Ita Nadia and Ken Setiawan. Context on Buru and its memory.
A Daughter's Memory: 1965 in Animation (Grace Leksana, 2020)
Grace Leksana's review (Archipel 99, 2020) of the animated documentary A Daughter's Memory (2019, dir. Kartika Pratiwi), based on Svetlana Dayani Njoto's memories of detention with her mother and siblings after her father Njoto's arrest. Film review.
Forty Years of Silence: The Insanity of Society (Marching, 2020)
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
The Treachery on YouTube: Politics of Memory on New Media in Indonesia (Parahita and Yulianto, 2020)
Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe
Ummah Yet Proletariat: Islam and Marxism in the Netherlands East Indies and Indonesia, 1915-1959 (Lin, 2020)
PhD dissertation (History, University of Washington, 2020) by Hongxuan Lin tracing the confluence of Islam and Marxism in the Netherlands East Indies and Indonesia, 1915-1959, through vernacular print culture; it genealogises Sukarno's NASAKOM. Gerwani appears only briefly: citing Blackburn, it says millions joined for
Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia (Sullivan, 2020)
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation