FO 371/180322: Attempted Coup against Sukarno [13] (28 Oct-5 Nov 1965)
UK Foreign Office file FO 371/180322 (28 Oct-5 Nov 1965): Djakarta telegrams quoting Antara on the post-coup purge, Sukarno versus the generals, Medan and Central Java. Gerwani items: tel. 2418 (2 Nov, p. 52) reports a Kowani/women's congress move to expel Gerwani members; tel. 2421 (p. 57) quotes Suharto naming 'Pemud
FO 371/180323: Attempted Coup against Sukarno [14] (Nov 1965)
UK Foreign Office file FO 371/180323 (c. 4-16 Nov 1965): Djakarta telegrams, Antara extracts and Foreign Office correspondence on the PKI's destruction, Subandrio, Nasution and Sukarno. Gerwani items: tel. 2480 (p. 39) reports a 8 Nov Jakarta rally of women's organisations demanding dissolution of the PKI and Gerwani;
Tempo, 31 January 2011: Gerwani in choreography ('Tjap Merah')
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo, 1 October 2012: Doomsday born of grudges (Banyuwangi massacre)
Tempo report (1 Oct 2012) on Banyuwangi: the 'Gagak Hitam' force of NU/PNI members hunted communists after 62 Ansor were killed at Cemethuk (commemorated at the Pancasila Jaya monument, called Lubang Buaya Cemethuk). Testimony of Baidawi and ex-Lekra secretary Andang Chatif Yusuf; bodies thrown into Jurang Tangis. Gerw
Genjer-genjer, the song feared by history (Tempo, Ika Ningtyas, 2015)
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Mohammad Arief, santri's son who composed Genjer-genjer (Historia preview, 2022)
Historia.id article (preview only, 2022) on the song Genjer-genjer and its composer Mohammad Arief, countering the film's claim that Gerwani and Pemuda Rakyat sang it by saying it reflects Japanese-occupation suffering and that Arief was a santri's son. Partial text.