Thirty-one production photographs from Edhi Sunarso's studio of life-size figures for the Lubang Buaya 'torture house' diorama, showing generals, bound captives and assailants in fatigues. Shows how the Lubang Buaya scene was physically fabricated.
Seventeen photographs of the sculptors' group Keluarga Arca installing miniature dioramas (Yani abduction, Lubang Buaya training, recovery of bodies) c. 1980-81, plus later life-size figures. Visual evidence of how the Paseban dioramas were made.
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat