Pohlman's chapter on the interrogation and torture centres ('devil's houses') in the army's 1965-70 detention system, opening with Sudjinah's account of capture with Sulami in Feb 1967 and torture at Gunung Sahari. Evidence from a handful of survivor testimonies.
Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Tempo feature (20 Aug 2022) by Seno Joko Suyono and Nurdin Kalim on the paintings and embroidery of Mia Bustam, former wife of the painter S. Sudjojono. Her children recall her Lekra activity, the loss of a self-portrait when the Lekra secretariat was raided in 1965, and works made in Wirogunan prison (1966-71) and at
Tempo report (2 Oct 2022, Dini Pramita and Dody Hidayat) on forced labour and memory of 1965 political prisoners. Yosephina Endang Lestari recalls Plantungan women's camp (sewing unit, Santiaji Pancasila, poor health); Ita F. Nadia describes its five aims including re-domestication of women. Hersri Setiawan (Buru) and
Tempo report (20 Nov 2022, Dian Yuliastuti and Seno Joko Suyono) on the Dialita choir winning the 2022 Akademi Jakarta award. Formed 2011 by daughters and women ex-prisoners (including Utati and Mudjiati, Bukit Duri and Plantungan), it sings songs composed in detention, such as 'Salam Harapan' and 'Taman Bunga Plantung