Eight photographs of dioramas and installation work at the Museum Pengkhianatan PKI, including a life-size Supersemar tableau with Sukarno and a woman in kebaya beside him. Visual record of the museum's making.
Eleven damaged colour prints (June 1974) of dioramas made by Edhi Sunarso's workshop for the Museum Satriamandala, showing oath-taking, assemblies and possibly an exhumation scene. Uncaptioned visual record of the military museum's historical narrative.
Photograph, image 05 of Khastara item 582249 (Yayasan Idayu albums), captioned as a meeting of women fighters ('wanita pejuang') at Gedung Kebangkitan Nasional on 21 May 1977. It sits in the S.K. Trimurti photo series, so Trimurti may appear, but no one is identified in the caption data. Image content not described; ca
Photograph, image 01 of Khastara item 1114786, captioned as the opening of a carnival bazaar by Ibu Trimurti at Gedung Joang 45, Menteng Raya, Jakarta, on 13 August (1977 per the file name; the caption is truncated). From the Yayasan Idayu albums. Content not described. Image content not described; caption data only.
Photograph, image 07 of Khastara item 1114786, captioned as the opening of a carnival bazaar by Ibu Trimurti at Gedung Joang 45, Menteng Raya, Jakarta, on 13 August (1977 per the file name; caption truncated). From the Yayasan Idayu albums. Content not described. Image content not described; caption data only.
Seven-page summary (LIPI journal, 2010) of Djakababa's dissertation arguing 1 Oct 1965 was chaotic and the New Order turned it into a good-versus-evil narrative via trials, the monument, commemoration and the film. Short companion to the full thesis.
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.