De Nieuwsgier, 24 Apr 1952 (Aneta): a packed Jakarta hall marks Kartini Day, organised by women's and girls' associations including Gerwis and PPI, with the Indonesia Raya and Kartini songs, a minute's silence, a speech by Miss Ainun of Pemuda Puteri Indonesia and a handicraft exhibition. AURI wives held a separate com
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Bing Slamet (2:42, one track from a 29-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Lilis Suryani (2:45, one track from a 35-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
Berita Yudha, 19 Oktober 1966. Issue dominated by Subandrio's Mahmillub trial; a short Gerwani item on p. 2, with a Yogyakarta feature on villagers hearing the trial by radio opening with 'Genjer-genjer'.
Suara Merdeka front page, 26 June 1968: an Antara/Pendam V Jaya report that four alleged PKI members were arrested in Jakarta, including Titi Suwarti, said to have joined training at Lubang Buaya and taught Genjer-genjer. Shows New Order framing of women's alleged role at Lubang Buaya.
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Live audio (12:06), 2016, of the Dialita choir of women survivors of 1965 and relatives performing at LBH Jakarta during the Belok Kiri (Turn Left) Festival. Documents survivors' song as public memory work. Description only; no repertoire listed.
Tempo feature (2 Oct 2021, Riky Ferdianto and Mustafa Silalahi) on Umi Sardjono in Bukit Duri prison (detained 20 Oct 1965, solitary cell as category A, 'Senayan cluster' with Dahliar, Mudigdio, Salawati Daud, Kartinah Kurdi). Witnesses Mudjiati, Utati, Nani Nurani Affandi describe forced confessions of Lubang Buaya da
Tempo report (20 Nov 2022, Dian Yuliastuti and Seno Joko Suyono) on the Dialita choir winning the 2022 Akademi Jakarta award. Formed 2011 by daughters and women ex-prisoners (including Utati and Mudjiati, Bukit Duri and Plantungan), it sings songs composed in detention, such as 'Salam Harapan' and 'Taman Bunga Plantung
Tempo.co report (11 Dec 2024, Ihsan Reliubun and Reza Maulana) on the Dialita choir at Human Rights Day and Mia Bustam's book launch. Chair Uchikowati's mother Hartati was a Gerwani member; her parents were arrested on 1 Nov 1965 (mother freed 1973). Dialita was founded in 2011 by ex-prisoners from Bukit Duri, Ambarawa