1964 – 2011
Algemeen Dagblad feature by H.N. Appel from Jakarta (1964-04-10) on Indonesia's new elite, its revolutionary rhetoric and economic hardship. Briefly describes women as playing a small, decorative role in a 'men's society', noting Sukarno's second wife Hartini at a party. Gerwani is not mentioned.
Photograph from the Yayasan Idayu S.K. Trimurti albums (Perpusnas Khastara), image 02: the opening of a carnival bazaar by Ibu Trimurti at Gedung Joang 45, Menteng Raya, Jakarta, on 13 August (year 1977 per the file name; title truncated). No text could be read. Shows Trimurti's public role after the New Order; no Gerw
Photograph from the Yayasan Idayu album of S.K. Trimurti (Perpusnas Khastara 1114786, image 04): by its title, the opening of a carnival bazaar by Ibu Trimurti at Gedung Joang 45, Menteng Raya, 13 August 1977. Another frame of the same event as image 08; no text accompanies the image.
Photograph (Khastara 1114786) from the S.K. Trimurti album series, 1977: the opening of a carnival bazaar by Ibu Trimurti at Gedung Joang 45, Menteng Raya, Jakarta. The day and month ('13 Agustu[s]') come from a truncated file name; no text on the image. No Gerwani content.
Photograph from the Yayasan Idayu album of S.K. Trimurti (Perpusnas Khastara 1114786, image 08): by its title, the opening of a carnival bazaar by Ibu Trimurti at Gedung Joang 45, Menteng Raya, 13 August 1977. A post-Gerwani record of Trimurti, a Gerwis founder; no text accompanies the image.
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta