Lilik HS's IndoPROGRESS obituary of Umi Sardjono (born Suharti Sumodiwiryo, Gerwani chair 1954-65, d. 11 March 2011): her funeral at Matraman, a visit to the Waluya Sejati elderly home founded on Sulami's initiative, and former leaders' memories. Literary-journalistic portrait.
2012 article by Hamdan Tri Atmaja using Gadamerian hermeneutics and interviews with seven survivors (two women held at Plantungan) on how they interpret state actions after G30S: readings of the coup, groundless arrests and interrogation.
Elizabeth Rhoads's 2012 article on why Balinese women's political representation is low despite quotas, citing adat institutions, money politics and collective memory; context on post-1965 Bali. Gerwani peripheral.
Anett Keller's 2012 reportage (südostasien, German) on Lestari, an 80-year-old Gerwani co-founder in a Jakarta house of ex-prisoners: Gerwani's literacy and kindergarten work, her husband a PKI East Java leader, flight, arrest in Malang, 1979 release and life as an 'ET' domestic worker. Life-history portrait.
PhD dissertation (University of Michigan, 2012) by Andrew Conroe: an ethnography of former political prisoners (eks-tapol) and their children and grandchildren in Yogyakarta, centred on the group Fopperham, on memory, silence and uncertain family histories. Gerwani appears through family accounts and events: Bu Marni,
2013 article by Taufik Ahmad on about 911 ex-political prisoners (BTI, Lekra, CGMI, Gerwani activists) held at Moncongloe, South Sulawesi: their 1975-77 release and post-release control through reporting, Pancasila courses, ET identity-card code and screening. Context on stigma.
Vannessa Hearman's 2013 article on memories 'under duress', from interviews with over thirty ex-prisoners: screening and stigma forced concealment, name changes and silence; Gerwani appears via 'Leila' and 'Tuti' and Sukarno-era WIDF internationalism. Oral history methodology.
Pohlman's 2013 article, from about 150 interviews, on women's stories of pregnancy, childbirth, raising, losing and aborting children during 1965-66 and detention, including cooperative childcare and a former Gerwani leader (Ibu Astuti). Gendered history of survival.
Wardaya's 2013 English edition of oral histories gathered 2008-11 by Sanata Dharma University's PUSdEP: witnesses from military, Muhammadiyah, Kejawen and Catholic backgrounds and survivors including women detained as alleged Gerwani; foreword summarises the Gerwani mutilation narrative and autopsy. Oral history source
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
English translation (Monash, 2015) of Memori-memori terlarang, research by women pastors and theologians of the JPIT network on women survivors, witnesses and perpetrators across East Nusa Tenggara (Sabu, Kupang, Timor, Alor, Sumba). Regional women's testimony on 1965.
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Annie Pohlman's 2015 monograph, the first book-length study of gendered violence in 1965-66, based on about 150 women survivors: patterns of arrest, torture, rape, sexualised mutilation, strip searches for the 'Gerwani mark', sexual slavery and 'wife-taking'. Key scholarly source.
Wieringa (Indonesian Feminist Journal, Aug 2015): the 'confession' of 'Jamilah, Srikandi of Lubang Buaya' printed identically in four army papers on 5-7 Nov 1965, and the real Jemilah (arrested by mistake for Gerwani leader Atikah, tortured, lost her baby), from Juki Ardi's Aku bukan Jamilah.
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Rendi Lustanto's 2015 Jurnal Perempuan essay on the 50th anniversary of 1965: Gerwani women hunted over alleged Lubang Buaya involvement, with media stories of erotic dances and genital mutilation made credible by patriarchal culture. Short reflective piece.
Rendi Lustanto's 27 Sep 2015 Jurnal Perempuan essay on the stigma of women pregnant outside marriage and victims of sexual violence; Gerwani enters only briefly. Opinion piece with little Gerwani content.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Anett Keller's German briefing (March 2016, Stiftung Asienhaus) on the neglected gender dimension of 1965: Lubang Buaya slander, the film and monument, tattoo hunts, sexual torture, forced marriages of widows, Plantungan and 'State Ibuism'. Written after the IPT 1965.
Pohlman (2016) argues the demonisation of Gerwani created an enduring 'pathological discourse' constraining women's sexual and political citizenship; perpetrators invoked the slander to justify violence, as in the cases of Ibu Susiani and others.
Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Jurnal Perempuan event report (3 Aug 2016) on a Solo discussion of Adrian Mulya's photobook Pemenang Kehidupan, portraits of elderly 1965 survivors made over seven years. Context on photography and survivors.
Pohlman (2017) chapter on how women whose husbands were killed or detained in 1965-66 secured daily survival for decades under ET stamps and boycotts, with case studies including Ibu Arum, a plantation labourer. Women's post-violence survival.
Pohlman (2017), lead investigator on sexual crimes for the IPT 1965, argues rape and sexualised torture in 1965-70 detention were crimes against humanity, summarising fifty-eight case files (72% female victims, 85% naming soldiers or military police). Legal framing of sexual torture.
Two-page south-east Asia magazine piece (südostasien 1/2017, German) translating Wieringa's statement as IPT 1965 chair on the July 2016 verdict: crimes against humanity, 400,000-600,000 killed, sexual violence, hate propaganda, complicity of the US, UK and Australia. Gerwani not named.