2012 article by Hamdan Tri Atmaja using Gadamerian hermeneutics and interviews with seven survivors (two women held at Plantungan) on how they interpret state actions after G30S: readings of the coup, groundless arrests and interrogation.
PhD dissertation (University of Michigan, 2012) by Andrew Conroe: an ethnography of former political prisoners (eks-tapol) and their children and grandchildren in Yogyakarta, centred on the group Fopperham, on memory, silence and uncertain family histories. Gerwani appears through family accounts and events: Bu Marni,
Anett Keller's German briefing (March 2016, Stiftung Asienhaus) on the neglected gender dimension of 1965: Lubang Buaya slander, the film and monument, tattoo hunts, sexual torture, forced marriages of widows, Plantungan and 'State Ibuism'. Written after the IPT 1965.
Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.
Historia article (4 Oct 2017, preview only) on seven women political prisoners at Plantungan, the women's 'Pulau Buru' at the foot of Mount Prau, with historian Amurwani Lestariningsih on the inmates (Gerwani, CGMI, PKI sympathisers, some arrested by mistake). Partial text.
Historia vignette (2019) on Eid al-Adha at Plantungan camp, drawing on Lestariningsih's book and Mia Bustam's memoir: prisoners allowed to pray with villagers, the camp's livestock unit, and Bustam giving away her meat. Camp daily life.
Hearman's 2020 article reconstructing the 1982-92 letters between ex-Gerwani militant Pudji Aswati, imprisoned for subversion, and English Quaker author Patricia Cleveland-Peck, showing how befriending became a transnational activist network. Rare transnational Gerwani prisoner correspondence.
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
Pohlman's chapter on the interrogation and torture centres ('devil's houses') in the army's 1965-70 detention system, opening with Sudjinah's account of capture with Sulami in Feb 1967 and torture at Gunung Sahari. Evidence from a handful of survivor testimonies.
Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Michal Bielecki's 2025 analysis of 'Selamatan Anak Cucu Sumilah', a participatory performance (30 Nov 2018, UGM) with the Kipper forum of women ex-prisoners, commemorating Maria Goreti Sumilah, arrested at fourteen by mistake and held at Plantungan. Memorialisation through performance.
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Indonesian Wikipedia article (retrieved 13 Oct 2026) on Dialita ('Di Atas Lima Puluh Tahun'), the Jakarta choir formed 2011 by Uchikowati Fauzia of women ex-prisoners and relatives, trained by Buru ex-prisoner Martin Lapanguli, performing songs composed in prison. Encyclopedic summary.